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艺人：yeule
专辑名称：《Evangelic Girl is a Gun》（福音女孩是把枪）
发行年份：2025 年
厂牌：Ninja Tune
音乐类型：电子乐、流行摇滚
音质：FLAC 24 位 / 96 千赫兹
总时长：31 分 37 秒
总容量：662 MB
官网：专辑预览
专辑乐评
在 yeule 的《Eko》中，有一个耐人寻味的瞬间 —— 这首关于执念的歌曲，听起来是你听过最甜美的旋律。它伪装成完美的流行舞曲，带着 hype-pop 的点缀和迪斯科贝斯，描绘了 “一个活在我脑海里、有呼吸的虚幻存在”。但当歌手兼制作人低吟 “在我脑海里 / 哦她在我的… ” 时，甜蜜下的苦涩突然暴露：混音中隐约传来一声像是受刑般的 muffled 尖叫。那是谁？作为 Z 世代的数字原住民，yeule（代词用 they/them）仿佛离开了互联网就难以存在。本名 Nat Ćmiel 的他们在新加坡光鲜昂贵的人造环境中长大，基本生活在机器里 —— 确切地说，是 Tumblr、4Chan 和《 MapleStory 》这类游戏中（yeule 这个名字源自《最终幻想》中的一个角色）。现实中的互动意味着尝试在阳光下可行的身份：“我曾是海洋朋克… ”yeule 告诉《Vice》，“后来变成健康哥特、洗涤剂核，然后又赶上了 Grimes 的美学浪潮，还有巫宅音乐。” 从音乐上看，这意味着他们吸收了 Grimes、水晶城堡（Crystal Castles）和卡洛尔・金（Carole King）的风格 —— 这种融合最终转化为亚洲后流行、 glitch 音乐，以及 2023 年极具娱乐性的《Softscars》中的 90 年代自赏和垃圾摇滚。
在第四张专辑中，yeule 邀请了一众令人瞩目的合作者，他们在原有框架上拓展，甚至偶尔突破界限。与参与全专制作的 Mura Masa（曾与 PinkPantheress 合作）联手打造的《Tequila Coma》，踩着强劲的律动，夹杂利刃般的节拍和白热的吉他闪现；yeule 的人声仿佛悬浮在空中，又随重力缓缓下落，堪称精妙。由 Chris Greatti（曾与 Poppy、Yungblud 合作）制作的《The Girl Who Sold Her Face》，以卧室流行的原声开场，随后蜕变为带有哀鸣吉他独奏和收银机音效的摇滚怪物。A.G. Cook 标志性的风格贯穿热闹的《Saiko》，闪烁、轰鸣、重击与气泡声交织。Clams Casino 参与的《Skullcrusher》暗黑而史诗感十足（仅两分钟却让人意犹未尽）。但你为 yeule 这个 “赛博格实体” 而来 —— 他们曾让破碎社会场景乐队（Broken Social Scene）的《Anthems for a Seventeen-Year-Old Girl》在 TikTok 和迷因中重生 —— 而他们从未让人失望。歌手在摇篮曲般的《VV》中展现梦幻感，在《Dudu》和轻快的《What3vr》中化身真正的流行明星。标题曲《Evangelic Girl is a Gun》则融合锐舞和 Twitch 文化，以快节奏和宏大编排勾勒出生动的人物肖像：“日落大道流鼻血 / 他开着快车来接我 / 他为我系紧皮靴 / 他穿着血迹斑斑的天鹅绒西装。” 这是真实的吗？谁知道呢，享受旅程就好。© Shelly Ridenour
曲目列表
Tequila Coma（龙舌兰昏迷）
The Girl Who Sold Her Face（卖掉脸的女孩）
Eko（回声）
1967（1967 年）
VV（双 V）
Dudu（嘟嘟）
What3vr（随便什么）
Saiko（赛科）
Evangelic Girl is a Gun（福音女孩是把枪）
Skullcrusher（碎颅者）
Artist: yeule
Title: Evangelic Girl is a Gun
Year Of Release: 2025
Label: Ninja Tune
Genre: Electronic, Pop Rock
Quality: FLAC 24-Bit/96 kHz
Total Time: 00:31:37
Total Size: 662 mb
WebSite: Album Preview
Album review
There's a very telling moment in Yeule's "Eko," the sweetest-sounding song you've ever heard about obsession. Disguised as a perfect little dance-riffic candy shell with hype-pop touches and disco bass, it details "a living, breathing unreal being who lives inside my head." But the bitter inside is revealed after the singer and producer coos, "Inside my head/ Oh she echoes in my …" Suddenly there's a scream, muffled low in the mix and sounding like torture. Who is that? Yeule, who uses them/they pronouns, is such a Gen Z digital native it's hard to know if they would even exist without the internet. Born Nat Ćmiel and growing up within the shiny, expensive artifice of Singapore, they basically lived in the machine—more specifically, Tumblr and 4Chan and games like MapleStory. (The name Yeule is derived from that of a Final Fantasy character.) Interacting IRL meant trying on identities that might work in the sunlight: "I was a seapunk … " Yeule told Vice. "Then I transcended into health goth. And detergent core. Then I was on that Grimes aesthetic wave. And witch house." Musically, that meant absorbing Grimes, yes, but also Crystal Castles and Carole King—a diet that somehow translated as a mix of Asian post-pop, glitch and, with 2023's highly entertaining Softscars, '90s shoegaze and grunge.
For their fourth album, Yeule has called on an impressive roster of collaborators who help build on that framework and, thrillingly, sometimes color outside the lines. Produced with Mura Masa (PinkPantheress), who is all over this record, "Tequila Coma" rides a great groove spiked with knife-edge beats and flashes of white-hot guitar; there's a nifty trick where Yeule's vocals float as if suspended in mid-air, then slowly, slowly drop with gravity. "The Girl Who Sold Her Face"—produced by Chris Greatti (Poppy, Yungblud)—starts like acoustic bedroom pop, then shows itself as a rock monster complete with a wailing guitar solo and a cash-register sound effect. A.G. Cook's signature style is all over bustling "Saiko," which shimmers and honks and thumps and burps. Clams Casino shows up for epically dark "Skullcrusher" (which, at just about two minutes, leaves you wanting more). But you're here for the "cyborg entity" who is Yeule—the one who brought Broken Social Scene's "Anthems for a Seventeen-Year-Old Girl" back to life once again, fueling a million TikToks and memes—and they do not disappoint. The singer plays it dreamy on lullaby "VV" and like a true pop star on "Dudu" and bouncy "What3vr." And they hit hard on the title track, which channels both rave and Twitch culture in its rapid-fire rhythm and big build, painting a vivid character study: "Nosebleed on the sunset strip/ He picks me up in a fast whip/ He laces up my leather boots/ He wears a blood-stained velvet suit." Is it real? Who knows. Just enjoy the ride. © Shelly Ridenour
Tracklist:
1 Tequila Coma
2 The Girl Who Sold Her Face
3 Eko
4 1967
5 VV
6 Dudu
7 What3vr
8 Saiko
9 Evangelic Girl is a Gun
10 Skullcrusher
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