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艺人：贾科莫·史密斯（Giacomo Smith）、莫泽斯·罗森伯格（Mozes Rosenberg）
专辑名称：《Manouche》（马努什爵士）
发行年份：2025年
厂牌：Stunt唱片公司
音乐类型：爵士乐
音质：mp3 320千比特/秒 / flac无损（分轨） / 24位-96.0kHz flac
总时长：40分27秒
总容量：95 MB / 248 MB / 897 MB
官网：专辑预览
曲目列表：
01. 《After You've Gone》（你走之后）
02. 《Begin the Beguine》（开始比金舞）
03. 《Beijinhos》（轻吻）
04. 《Embraceable You》（可拥抱的你）
05. 《Indifference》（冷漠）
06. 《Mr. Tom》（汤姆先生）
07. 《Festival 48》（48年音乐节）
08. 《Dream of You》（梦见你）
09. 《The Sheik of Araby》（阿拉伯的酋长）
10. 《Panique》（恐慌）
11. 《Tiger Rag》（老虎 rag）
贾科莫·史密斯出生于意大利，在纽约州北部长大。他早期对爵士乐的接触主要源于母亲对戴夫·布鲁贝克（Dave Brubeck）的热爱，5岁开始学习钢琴，10岁起学习单簧管，不久后又接触萨克斯风。在此过程中，他对爵士乐和古典音乐的兴趣日益浓厚。作为一名优秀的音乐家，史密斯拥有深厚的技术功底，扎根传统，尤其钟情于 Django Reinhardt 及其音乐。作为 Snorre Kirk 欧洲四重奏的常任成员，他在国际上也颇具影响力。
15年前在大学期间，史密斯对马努什爵士乐（Jazz Manouche）的兴趣被点燃。当时一位室友有一张 Django Reinhardt 的黑胶唱片，他们反复播放。这张专辑中，Reinhardt 的吉他演奏固然令人惊叹，但令史密斯惊讶的是，休伯特·罗斯坦（Hubert Rostaing）的单簧管演奏——技巧精湛、充满摇摆感，且没有鼓点掩盖木管乐器的深沉频率。这开启了他探索马努什爵士乐世界的旅程。“Manouche” 也可称为“Django爵士”，得名于这位法国吉普赛吉他手。吉普赛中的辛提人（Sinti）自称为“Manouche”，而史密斯在欧洲的定居为他深入接触这一乐种提供了机会。
当史密斯第一次遇见吉他手莫泽斯·罗森伯格时，他再次体验到与音乐根源直接相连的震撼。罗森伯格是荷兰辛提人，与 Django Reinhardt 有亲属关系，是一位演奏中充满灵魂与魄力的 virtuoso 吉他手。他的节奏驱动和对旋律的抒情演绎令人屏息。作为罗森伯格家族新一代的吉他天才，他兼具卓越技巧与天生的摇摆感，是将传统荷兰演奏风格与更现代的分句和即兴技巧结合的当代杰出原声吉他手之一。
因此，贾科莫·史密斯以莫泽斯·罗森伯格为核心组建一支致敬 Reinhardt 音乐的乐队实属自然。他们的音乐并未刻意模仿 Django，却在这张专辑中传递出其精髓。史密斯将自己对马努什爵士乐的热爱形容为“未被发掘的宝藏”，希望这张唱片能带给听众多年前他初次聆听 Django Reinhardt 和 Hubert Rostaing 时的那份激动。
Artist: Giacomo Smith, Mozes Rosenberg
Title: Manouche
Year Of Release: 2025
Label: Stunt Records
Genre: Jazz
Quality: mp3 320 kbps / flac lossless (tracks) / flac 24bits - 96.0kHz
Total Time: 00:40:27
Total Size: 95 / 248 / 897 mb
WebSite: Album Preview
Tracklist
01. After You've Gone
02. Begin the Beguine
03. Beijinhos
04. Embraceable You
05. Indifference
06. Mr. Tom
07. Festival 48
08. Dream of You
09. The Sheik of Araby
10. Panique
11. Tiger Rag
Giacomo Smith was born in Italy but grew up in upstate New York. His early encounter with jazz was mainly due to his mother's great enthusiasm for Dave Brubeck, and he started playing piano at the age of 5. At the age of 10, the clarinet followed and soon the saxophone. He developed a deepening interest in jazz and classical music along the way. Giacomo is an excellent musician with tremendous technical prowess, firmly rooted in tradition, and an unabashed affinity for Django Reinhardt and his music. He also enjoys international success as a regular member of Snorre Kirk’s European Quartet. His interest in Jazz Manouche was sparked 15 years ago in college, when a roommate had a Django Reinhardt LP that they played incessantly. The album featured Reinhardt's blistering guitar playing, of course, but also, to Smith's sur-prise, clarinet playing by Hubert Rostaing. He had never heard jazz clarinet like this - virtuosic and swinging, devoid of drums masking the deep frequencies of the woodwinds. It began a journey into the musical world known as Jazz Manouche. Manouche might as well be called 'Django jazz' after the French Sinti guitarist. The Sinti people refer to themselves as Manouche, and by settling in Europe, Smith created an opportunity to get intimate with the genre. The first time he met guitarist Mozes Rosenberg, he once again experienced the overwhelming feeling of being in direct contact with the source of the music. Rosenberg, who is Dutch Sinti and related to Django Rein-hardt, is a virtuoso guitarist who plays with incredible soul and nerve. His rhythmic drive and lyrical interpretations of melodies are simply breathtaking. As the latest guitar talent from the Rosenberg dynasty, he possesses exceptional technique and a natural sense of swing. He is one of the most remarkable acoustic guitarists of his time, combining the traditional Dutch playing style with more modern phrasing and licks. It was only natural for Giacomo Smith to assemble a band paying tribute to Reinhardt’s music - with Mozes Rosenberg at the center. His sound honors Django without copying him, and comes through in the essence of this album. Smith describes his love of Jazz Manouche as an unexplored treasure, and hopes the recording brings listeners the same excitement he felt when first hearing Django Reinhardt and Hubert Rostaing all those years ago.
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