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艺术家：不协和乐团、大卫·格里马尔
标题：不协和乐团 贝多芬：小提琴与管弦乐团协奏曲，作品61
发行年份：2010年
厂牌：不协和
流派：古典
音质：无损FLAC/24位-96.0kHz FLAC
总时长：01:26:12
总大小：417兆字节/1.41吉字节
网站：专辑预览
曲目列表
01. D大调小提琴与管弦乐团协奏曲，作品61：I. 不过分的快板
02. D大调小提琴与管弦乐团协奏曲，作品61：II. 小广板
03. D大调小提琴与管弦乐团协奏曲，作品61：III. 回旋曲—快板
04. A大调第七交响曲，作品92：I. 稍绵延的—活泼的
05. A大调第七交响曲，作品92：II. 小快板
06. A大调第七交响曲，作品92：III. 急板—远不如急板快
07. A大调第七交响曲，作品92：IV. 辉煌的快板
《斯特拉德》杂志乐评人戴维·丹顿：“面对贝多芬这首协奏曲浩如烟海的录音版本，这张专辑至少有一个独特卖点——由布里斯·波塞为大卫·格里马尔创作的新华彩乐段。尽管这些华彩乐段保持在得体的范围内，但第一乐章的华彩在中段融入了管弦乐与钢琴独奏的互动，颇为特别。此外，这场取自2010年第戎音乐会的演绎，是对乐谱充满新意的诠释。或许中央的小广板速度稍缓，但整体演绎从容不迫，格里马尔对悠长抒情线条的塑造充满美感与深情。”
大卫·格里马尔：“这版第七交响曲的录音，既非出自一位毕生指挥该作品的资深指挥家，亦非来自著名乐团的华丽演绎，甚至不是用仿古乐器展现作品本真音色的示范。我们的目标并非跻身伟大演绎的万神殿。
这张录音仅仅是不协和乐团的乐手们在两天排练后，首次也是唯一一次公开演奏该作品的纪念。每当我们因这些友谊与音乐情谊交织的美妙时刻而相聚时，所有人都深感喜悦。愿这张录音见证我们共同参与的这场非同寻常的音乐实验……”
Artist: Les Dissonances, David Grimal
Title: Beethoven: Concerto for Violin and Orchestra, Op. 61
Year Of Release: 2010
Label: Les Dissonances
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:26:12
Total Size: 417 mb / 1.41 gb
WebSite: Album Preview
Tracklist
01. Concerto For Violin And Orchestra In D Minor, Op. 61: I. Allegro Ma Non Troppo
02. Concerto For Violin And Orchestra In D Minor, Op. 61: II. Larghetto
03. Concerto For Violin And Orchestra In D Minor, Op. 61: III. Rondo-Allegro
04. Symphony N. 7 In A Minor, Op. 92: I. Poco Sostenuto-Vivace
05. Symphony N. 7 In A Minor, Op. 92: II. Allegretto
06. Symphony N. 7 In A Minor, Op. 92: III. Presto-Assai Meno Presto
07. Symphony N. 7 In A Minor, Op. 92: IV. Allegro Con Brio
„Faced with such an enormous choice of recordings of the Beethoven concerto, this one at least has a unique selling point in new cadenzas composed for David Grimal by Brice Pauset. Although they remain within the bounds of propriety, that for the first movement is unusual in its inclusion at its mid-point of an orchestral role with solo piano. Otherwise the performance, taken from a Dijon concert in 2010, is a rewardingly fresh reading of the printed score. Maybe the central Larghetto is a little slow, but the whole account has an unhurried feel, and Grimal’s long lyric lines are shaped with beauty and much affection.“ (David Denton, theStrad)
“This recording of the Seventh Symphony is not the result of the long experience of a conductor who has directed the work all his life, nor is it a sumptuous performance by a prestigious orchestra, nor even a demonstration of what the work should sound like on period instruments. Our aim was not to join the pantheon of great versions.
This recording is simply a memento of the first and only concert performance of this work given by the musicians of Les Dissonances after two days’ rehearsal. All of us feel intense joy whenever our respective paths bring us together for such wonderful moments of friendship and musical fraternity. May this recording bear witness to the unusual experiment in which we took part together…” (David Grimal)
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