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艺术家：马克·明科夫斯基、卢浮宫音乐家乐团
标题：卢浮宫音乐家乐团 亨德尔：水上音乐，罗德里戈
发行年份：2010年
厂牌：天真古典
流派：古典
音质：无损FLAC/24位-88.2kHz FLAC（含乐谱）
总时长：01:07:29
总大小：327兆字节/1.01吉字节
网站：专辑预览
曲目列表
01. 水上音乐：F大调组曲，HWV 348：I. 序曲（序曲）
02. 水上音乐：F大调组曲，HWV 348：II. 柔板与断奏（柔板与断奏）
03. 水上音乐：F大调组曲，HWV 348：III. 快板
04. 水上音乐：F大调组曲，HWV 348：IV. 行板（行板）
05. 水上音乐：F大调组曲，HWV 348：V. 变奏曲（变奏曲）
06. 水上音乐：F大调组曲，HWV 348：VI. 快板（快板）
07. 水上音乐：F大调组曲，HWV 348：VII. 咏叹调（咏叹调）
08. 水上音乐：F大调组曲，HWV 348：VIII. 小步舞曲（小步舞曲）
09. 水上音乐：F大调组曲，HWV 348：IX. 布雷舞曲（布雷舞曲）
10. 水上音乐：F大调组曲，HWV 348：X. 号笛舞曲（号笛舞曲）
11. 水上音乐：F大调组曲，HWV 348：XI.
12. 水上音乐：F大调组曲，HWV 348：XII. 号笛舞曲变奏曲（号笛舞曲变奏曲）
13. 水上音乐：G大调组曲，HWV 350：I.
14. 水上音乐：G大调组曲，HWV 350：II. 里戈东舞曲（里戈东舞曲）
15. 水上音乐：G大调组曲，HWV 350：III. 小步舞曲（小步舞曲）
16. 水上音乐：G大调组曲，HWV 350：IV.
17. 水上音乐：G大调组曲，HWV 350：V.
18. 水上音乐：D大调组曲，HWV 349：I.
19. 水上音乐：D大调组曲，HWV 349：II. 号笛舞曲风格（号笛舞曲风格）
20. 水上音乐：D大调组曲，HWV 349：III. 小号小步舞曲（小号小步舞曲）
21. 水上音乐：D大调组曲，HWV 349：IV. 缓慢地（缓慢地）
22. 水上音乐：D大调组曲，HWV 349：V. 布雷舞曲（布雷舞曲）
23. 罗德里戈：序曲
24. 罗德里戈：吉格舞曲
25. 罗德里戈：萨拉班德舞曲
26. 罗德里戈：水手舞曲
27. 罗德里戈：小步舞曲
28. 罗德里戈：加沃特舞曲
29. 罗德里戈：布雷舞曲
30. 罗德里戈：帕萨卡利亚舞曲
马克·明科夫斯基与卢浮宫音乐家乐团 - 亨德尔：水上音乐，罗德里戈（2010年高解析度录音）
马克·明科夫斯基是20世纪90年代崭露头角的最具潜力的指挥家之一，他（及亲自挑选的卢浮宫音乐家乐团）在法国和意大利巴洛克时期的冷门作品领域开辟了独特天地。在早期音乐和本真演绎的竞争领域中，他赢得了广泛赞誉，并成功将相对晦涩的作品推向更广泛的听众。尽管许多本真演绎运动的知名指挥家已开始涉足主流古典和浪漫主义作品，明科夫斯基仍是这一趋势的先驱者。
1962年10月4日生于巴黎的明科夫斯基，职业生涯始于巴松管演奏家，在与“花之艺术”乐团、维也纳克莱门西克合奏团和皇家小教堂等团体合作期间成为巴洛克音乐专家。他在缅因州汉考克的皮埃尔·蒙图克斯学校跟随备受尊敬的法国指挥家查尔斯·布鲁克学习时，对指挥的兴趣日益浓厚。1984年在布鲁日首届国际早期音乐比赛中斩获一等奖后，明科夫斯基创立了自己的古乐器乐团“卢浮宫音乐家乐团”，并以此为主要录音载体。
他最大的成功来自戏剧音乐领域，对格鲁克、吕利、珀塞尔和亨德尔作品的复兴，凸显了他以文本为导向的戏剧感知力。这种风格在亨德尔的清唱剧和合唱作品中同样成果显著，成为其保留曲目的核心。1994年，明科夫斯基与卢浮宫音乐家乐团与德意志留声机的Archiv Produktion厂牌签订独家合约；1997年起，他们与格勒诺布尔室内乐团合作，并主要居住在格勒诺布尔，与当地的文化中心紧密相连。此外，明科夫斯基还曾指挥马勒室内乐团、柏林爱乐乐团、萨尔茨堡莫扎特乐团和德累斯顿国家管弦乐团等世界顶尖乐团。
21世纪以来，明科夫斯基凭借多元才华在Naïve、Decca、Erato、Brilliant等多个厂牌留下录音。他不仅有资源演绎并录制拉莫的《阿那克里翁》（2009年）等巴洛克歌剧，还持续发掘格雷特里的《开罗商队》等冷门作品。然而，他的重心逐渐转向18世纪末至19世纪的作品：2013年指挥录制瓦格纳的《漂泊的荷兰人》，并搭配皮埃尔-路易·迪茨根据瓦格纳脚本缩写的冷门版本；2017年，他与卢浮宫音乐家乐团发行了广受好评的巴赫《约翰受难曲》（BWV 245）录音。
——罗维乐评人 詹姆斯·曼海姆
Artist: Marc Minkowski, Les Musiciens du Louvre
Title: Haendel: Water Music, Rodrigo
Year Of Release: 2010
Label: naïve classique
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 01:07:29
Total Size: 327 mb / 1.01 gb
WebSite: Album Preview
Tracklist
01. Water music: suite in F Major, HWV 348: I. Ouverture (Ouverture)
02. Water music: suite in F Major, HWV 348: II. Adagio e staccato (Adagio e staccato)
03. Water music: suite in F Major, HWV 348: III.Allegro
04. Water music: suite in F Major, HWV 348: IV. Andante (Andante)
05. Water music: suite in F Major, HWV 348: V. Variantes (Variantes)
06. Water music: suite in F Major, HWV 348: VI. Allegro (Allegro)
07. Water music: suite in F Major, HWV 348: VII. Air (Air)
08. Water music: suite in F Major, HWV 348: VIII. Menuet (Menuet)
09. Water music: suite in F Major, HWV 348: IX. Bourée (Bourée)
10. Water music: suite in F Major, HWV 348: X. Hornpipe (Hornpipe)
11. Water music: suite in F Major, HWV 348: XI.
12. Water music: suite in F Major, HWV 348: XII. Variante alla Hornpipe (Variante alla Hornpipe)
13. Water Music: suite in G Major, HWV 350: I.
14. Water Music: suite in G Major, HWV 350: II. Rigaudon (Rigaudon)
15. Water Music: suite in G Major, HWV 350: III. Menuet (Menuet)
16. Water Music: suite in G Major, HWV 350: IV.
17. Water Music: suite in G Major, HWV 350: V.
18. Water Music: suite in D Major, HWV 349: I.
19. Water Music: suite in D Major, HWV 349: II. Alla Hornpipe (Alla Hornpipe)
20. Water Music: suite in D Major, HWV 349: III. Menuet pour trompette (Menuet pour trompette)
21. Water Music: suite in D Major, HWV 349: IV. Lentement (Lentement)
22. Water Music: suite in D Major, HWV 349: V. Bourrée (Bourrée)
23. Rodrigo: ouverture
24. Rodrigo: gigue
25. Rodrigo: sarabande
26. Rodrigo: matelot
27. Rodrigo: menuet
28. Rodrigo: gavotte
29. Rodrigo: bourée
30. Rodrigo: passacaglia
Marc Minkowski & Les Musiciens du Louvre - Haendel: Water Music, Rodrigo (2010) [Hi-Res]
Marc Minkowski was one of the most promising conductors to emerge in the 1990s, having carved out a niche for himself (and his hand-picked ensemble, Les Musiciens du Louvre) in the lesser-known works of the French and Italian Baroque. In the competitive fields of early music and historical performance, he has garnered considerable critical acclaim and managed to bring works of relative obscurity to the attention of wider audiences. Although a number of leading conductors in the historical performance movement have begun to perform and record mainstream Classical and Romantic repertory, Minkowski was in the forefront of this development.
Born in Paris on October 4, 1962, Minkowski began his career as a bassoonist, becoming a baroque specialist during his tenure with such ensembles as Les Arts Florissants, the Clemencic Consort of Vienna, and La Chapelle Royale. His interest in conducting flourished during studies with the highly respected French conductor Charles Bruck at the Pierre Monteux School in Hancock, ME. After taking first prize at the first International Early Music Competition in Bruges (1984), Minkowski founded his own early instrument ensemble, Les Musiciens du Louvre, with which he has made the bulk of his recordings.
His biggest successes have come in the realm of dramatic music, where his revivals of works by Gluck, Lully, Purcell, and Handel have drawn attention to his text-oriented dramatic sense. This same approach has borne similar fruit in the oratorios and choral works of Handel, which he has made a staple of his repertory. Minkowski and Les Musiciens du Louvre signed an exclusive contract with Deutsche Grammophon's Archiv Produktion label in 1994, and in 1997 they joined forces with the Orchestre de Chambre de Grenoble and have resided mostly in that city, where they are associated with the Maison de la Culture de Grenoble. Minkowski has also conducted the Mahler Chamber Orchestra, the Berlin Philharmonic, the Mozarteum Salzburg, and the Staatskapelle Dresden, among other world-class orchestras.
Minkowski's recorded repertoire in the 21st century, befitting his multiple talents, has been spread across a number of music labels, including Naïve, Decca, Erato, Brilliant, and others. He has been able to marshal the resources to perform and record Baroque operas such as Rameau's Anacréon (2009), and he has continued to unearth little-known works such as Grétry's La Caravane du Caire. Increasingly, however, his efforts have been focused on repertory of the late 18th and 19th centuries. In 2013 he conducted a recording of Wagner's Der fliegende Holländer, paired with a little-known setting of a condensed version of the Wagner libretto by Pierre-Louis Dietsch. In 2017, Minkowski and Les Musiciens du Louvre issued a critically acclaimed recording of Bach's St. John Passion, BWV 245. ~ Rovi Staff, James Manheim
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