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艺术家：马科斯·马德里加尔
标题：瓜斯塔维诺：钢琴作品
发行年份：2020年
厂牌：钢琴经典
流派：古典
音质：FLAC（分轨+乐谱）/24位-44.1kHz FLAC（分轨+乐谱）
总时长：72分13秒
总大小：192兆字节/188兆字节
网站：专辑预览
马科斯·马德里加尔 - 瓜斯塔维诺：钢琴音乐（2020年高解析度录音）
曲目列表
01. 十首阿根廷叙事曲：I. 哭泣的圣菲
02. 十首阿根廷叙事曲：II. 青春
03. 十首阿根廷叙事曲：III. 蓝花楹
04. 十首阿根廷叙事曲：IV. 赛博树
05. 十首阿根廷叙事曲：V. 阿贝拉尔达·奥尔莫斯
06. 十首阿根廷叙事曲：VI. 胡安妮塔
07. 十首阿根廷叙事曲：VII. 赫伯特
08. 十首阿根廷叙事曲：VIII. 古老的圣菲
09. 十首阿根廷叙事曲：IX. 三叶草
10. 十首阿根廷叙事曲：X. 房子
11. 十首流行歌曲：I. 第一首
12. 十首流行歌曲：II. 第二首
13. 十首流行歌曲：III. 第三首
14. 十首流行歌曲：IV. 第四首
15. 十首流行歌曲：V. 第五首
16. 十首流行歌曲：VI. 第六首
17. 十首流行歌曲：VII. 第七首
18. 十首流行歌曲：VIII. 第八首
19. 十首流行歌曲：IX. 第九首
20. 十首流行歌曲：X. 第十首
21. 桑佩德里诺
22. 小舞曲
生于1984年的马科斯·马德里加尔，自哈瓦那的童年起便开始研习并沉浸于卡洛斯·瓜斯塔维诺的钢琴音乐。这张专辑是数十年热爱凝结的结晶，通过一张CD呈现了对半个多世纪流畅创作的个人化但精心策划的巡礼。
瓜斯塔维诺（1912-2000）在阿根廷城市圣菲出生并逝世，距布宜诺斯艾利斯数百公里。他经历了现代主义充满动荡革新的数十年，但其语言如同多数阿根廷同胞作曲家，始终扎根于19世纪。然而，当他在歌曲和钢琴小品中淬炼捕捉五分钟微型世界的才华时，其风格并未被怀旧或对逝去时光的惋惜所累。相反，瓜斯塔维诺以不断创新的方式庆祝生活的丰富多彩，或许其音乐中的积极视野正是它超越本土、广泛传播的原因。他探索祖国广袤土地的声音——民歌、街道、森林尽在其中——既不过度依赖明信片式的自然主义，亦不同于法利亚、格拉纳多斯等西班牙大师。
曲目从早期著名的《小舞曲》（1940年）到晚年（1992年）的《圣佩德罗人》，跨越两个十部套曲：20世纪50年代的《十首阿根廷叙事曲》和1974年的《十首流行歌曲》——所有作品都展现了瓜斯塔维诺对旋律的纯粹热爱。尽管其结构与和声绝非浅白，这些技术层面始终服务于歌唱性的高音线条，后者独特、朗朗上口，且明显受民歌影响。
马科斯·马德里加尔以哈瓦那为基地开展繁忙的国际职业生涯，2017年在故乡创办了古典音乐节“哈瓦那经典”。他曾为BBC、意大利国家电视台（RAI）和瑞士电台录音，此前的录音作品屡获殊荣，包括法国《音叉》杂志的五星评价。
卡洛斯·瓜斯塔维诺（1912-2000）是20世纪阿根廷最重要、最著名的作曲家之一，创作超过500部作品，以歌曲和钢琴作品为主。他选择了植根于19世纪浪漫主义时期的个人风格，调性迷人，表达对祖国及其民间文化的深厚热爱，有时被称为“潘帕斯的舒伯特”。这张新录音呈现了两套钢琴套曲《十首阿根廷叙事曲》和《十首流行歌曲》，充满魅力、感官之美与钢琴创作的巧思。
马科斯·马德里加尔生于古巴哈瓦那，在古巴跟随钢琴家特蕾西塔·容科学习后前往欧洲，在卢加诺和科莫参加大师班，师从安德烈亚斯·施泰尔、季米特里·巴什基罗夫、傅聪、马尔科姆·比尔森，尤其是导师威廉·格兰特·纳博雷。他此前的录音备受赞誉，获得《古典音乐》杂志“震撼”奖、“金色旋律”奖及《音叉》杂志五星评价。
Artist: Marcos Madrigal
Title: Guastavino: Piano Music
Year Of Release: 2020
Label: Piano Classics
Genre: Classical
Quality: FLAC (tracks+booklet) / FLAC 24 Bit (44,1 KHz / tracks+booklet)
Total Time: 72:13 min
Total Size: 192 / 188 MB
WebSite: Album Preview
Marcos Madrigal - Guastavino: Piano Music (2020) Hi-Res
Tracklist:
01. 10 Cantilenas Argentinas: I. Santa fe para llorar
02. 10 Cantilenas Argentinas: II. Adolescencia
03. 10 Cantilenas Argentinas: III. Jacarandá
04. 10 Cantilenas Argentinas: IV. el ceibo
05. 10 Cantilenas Argentinas: V. Abelarda olmos
06. 10 Cantilenas Argentinas: VI. Juanita
07. 10 Cantilenas Argentinas: VII. Herbert
08. 10 Cantilenas Argentinas: VIII. Santa fe antiguo
09. 10 Cantilenas Argentinas: IX. Trébol
10. 10 Cantilenas Argentinas: X. la casa
11. 10 Cantos Populares: I. Canto 1
12. 10 Cantos Populares: II. Canto 2
13. 10 Cantos Populares: III. Canto 3
14. 10 Cantos Populares: IV. Canto 4
15. 10 Cantos Populares: V. Canto 5
16. 10 Cantos Populares: VI. Canto 6
17. 10 Cantos Populares: VII. Canto 7
18. 10 Cantos Populares: VIII. Canto 8
19. 10 Cantos Populares: IX. Canto 9
20. 10 Cantos Populares: X. Canto 10
21. El sampedrino
22. Bailecito
Born in 1984, Marcos Madrigal has been studying and absorbing the piano music of Carlos Guastavino ever since his Havana childhood. This album is the outcome of decades of affection distilled into a single CD, which presents a personal but carefully curated journey through over half a century of fluent composition.
Born and died in the Argentinian city of Santa Fe, hundreds of kilometres from Buenos Aires, Guastavino (1912-2000) spanned the decades of modernism with all its tumultuous innovation, but his language, like most of his compatriot composers, remained rooted in the 19th century. However, while he refined his talent in both song and the piano miniature to capture a world within the space of a five-minute miniature, his idiom is not burdened by nostalgia or a regret for a lost time. Rather, Guastavino finds ever-ingenious ways to celebrate life in all its richness, and perhaps this positive outlook in his music has helped it to travel far beyond his native land. He explores the sounds of his vast nation – the folksongs, the streets and the forests are all here – without undue reliance on picture-postcard naturalism any more than Spanish masters such as de Falla and Granados.
The repertoire ranges from the early and well-known Bailecito (Little dance, 1940), to El Sampedrino (The Man from San Pedro, 1992), from his final decade, via two ten-piece cycles: Diez Cantinelas Argentinas (Ten Argentinian songs), composed in the 1950s, and Diez Cantos Populares (Ten folk songs), written in 1974 – all works that reveal Guastavino’s sheer love of melody. Although his writing is never facile in terms of structure or harmony, these technical aspects are always placed in the service of a cantabile upper line that is always distinctive, catchy and clearly influenced by folk song.
Marcos Madrigal continues to make Havana the base of a busy international career, having in 2017 established Habana Clásica, a classical music festival in his native city. He has recorded for the BBC, for RAI and Swiss Radio and won several awards for previous recordings including five stars from Diapason in France.
Carlos Guastavino (1912-2000) was one of the most important and famous composers of 20th century Argentine. He wrote over 500 works, most of them songs and piano works. He chose his own, personal style, rooted in the Romantic period of the 19th century, tonal, seductive and expressing his deep love for his country and its folklore. He is sometimes called “The Schubert of the pampas”.
This new recording presents two piano cycles: “10 Cantilenas Argentinas” and “10 Cantos populares”, music of great charm, sensual beauty and pianistic invention.
Marcos Madrigal was born in Havana, Cuba. After studying in Cuba with the pianist Teresita Junco he went to Europe, where he attended masterclasses in Lugano and Como, with Andreas Staier, Dimitri Bashkirov, Fou Ts’ong, Malcolm Bilson and especially with his mentor William Grant Naboré. His previous recordings were met with great critical acclaim, awarded with a Choc de Classica, Melomano d’Oro, 5 Stars in Diapason.
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