|
|
艺术家：莎伦·贝扎利
标题：莎伦·贝扎利 从A到Z，第二卷
发行年份：2003年
厂牌：BIS
流派：古典
音质：24位-44.1kHz FLAC/分轨FLAC
总时长：01:08:10
总大小：423兆字节/239兆字节
网站：专辑预览
曲目列表
《忒勒玛的热机》，作品33（富尔维奥·卡尔迪尼）
1. 《忒勒玛的热机》，作品33 04:33
长笛独奏奏鸣曲（斯文-埃里克·巴克）
2. 长笛独奏奏鸣曲：I. 自由行板与歌唱性 03:39
3. 长笛独奏奏鸣曲：II. 快板 04:35
4. 长笛独奏奏鸣曲：III. 中板 05:37
《风中之书》（埃利奥特·卡特）
5. 《风中之书》 06:17
E小调第一组曲，作品11（约瑟夫·博丹·德·布瓦莫蒂耶）
6. E小调第一组曲，作品11：I. 前奏曲 03:07
7. E小调第一组曲，作品11：II. 阿勒曼德舞曲 01:35
8. E小调第一组曲，作品11：III. 回旋曲“慈善” 02:02
9. E小调第一组曲，作品11：IV. “惊讶” 00:53
10. E小调第一组曲，作品11：V. 加沃特舞曲 01:51
11. E小调第一组曲，作品11：VI. 小步舞曲 01:20
长笛独奏奏鸣曲（叶海兹克尔·布劳恩）
12. 长笛独奏奏鸣曲：I. 快板 04:39
13. 长笛独奏奏鸣曲：II. （对话），极慢板 03:22
14. 长笛独奏奏鸣曲：III. 不过分的快板 03:38
《逐月》（格洛丽亚·科茨）
15. 《逐月》 04:30
《幻想曲I》，作品6，第一首（莱昂哈德·冯·卡尔）
16. 《幻想曲I》，作品6，第一首：I. 柔板 02:18
17. 《幻想曲I》，作品6，第一首：II. 小步舞曲 02:43
18. 《幻想曲I》，作品6，第一首：III. 小快板 02:43
长笛《色彩素描》（丹尼尔·博尔茨）
19. 色彩素描：I. 狂怒地 03:42
20. 色彩素描：II. 急板 05:06
演奏者：
莎伦·贝扎利（长笛）
莎伦·贝扎利的第二卷长笛独奏作品（覆盖其宏大字母序探索中的B和C部分）与其说是一场独奏会，不如说是一场"十项全能"。除了没在长笛里塞炸药或扔向录音室，她施展了长笛演奏家的所有技术绝活——花舌、滑音大跳、微分音扭曲、和声双音、按键打击乐般的敲击。更惊人的是她驾驭这些技巧的轻松自如，将其与精湛的基本功、流转的音色、细腻的双吐和卓越的气息控制浑然融合。如同第一卷《从A到Z》，贝扎利在此独自担纲，温暖的声学场地为她的低音区增色，为其清澈音色增添了一层美妙的光晕。
她的选曲必然兼具折衷与新意，间以布瓦莫蒂耶和卡尔的轻盈小品作为"味觉缓冲"。在所有的炫技之外，不得不提这里不乏美妙的音乐。例如，斯文-埃里克·巴克和叶海兹克尔·布劳恩在各自的奏鸣曲中都写出了抒情与狂想兼具的段落，将长笛中音区的魅力发挥到极致，尽管两首作品的第三乐章都偏向技术展现。这些作品与富尔维奥·卡尔迪尼的极简主义作品形成对比——后者如永不停歇的音符乒乓，其机械般的 relentless（ relentless 此处意为“不间断的”）节奏让人好奇独奏家何时换气。风格再转，丹尼尔·博尔茨题献给贝扎利的《色彩素描》更注重音色渲染、快速颤音和飞扬的音阶来表达情感。埃利奥特·卡特那首关于呼吸的惆怅寓言式短曲，仿佛为长笛量身定制，在飘忽的倦怠与尖锐的爆发间交替。
全碟最令人震撼的作品当属格洛丽亚·科茨的《逐月》。四分钟的"月球狂想"几乎将长笛音色扭曲到认不出，要求演奏者不仅对着笛管哼唱，还要发出几种非比寻常的声响，将唇部技巧推向极限。听众或许对音乐本身见仁见智，但这张专辑无疑是这位天才长笛家的又一次胜利——她似乎能（且愿意）驾驭任何摆在眼前的作品。
Artist: Sharon Bezaly
Title: From A to Z, Vol. 2
Year Of Release: 2003
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 01:08:10
Total Size: 423 mb / 239 mb
WebSite: Album Preview
Tracklist:
Thelema's Hot Machine, Op. 33 (Fulvio Caldini)
1. Thelema's Hot Machine, Op. 33 04:33
Sonata for Flute Solo (Sven-Erik Back)
2. Sonata for Flute Solo: I. Andante librarmente cantando 03:39
3. Sonata for Flute Solo: II. Allegro 04:35
4. Sonata for Flute Solo: III. Moderato 05:37
Scrivo in vento (Elliott Carter)
5. Scrivo in vento 06:17
Suite de piece No. 1 in E Minor, Op. 11 (Joseph Bodin de Boismortier)
6. Suite de piece No. 1 in E Minor, Op. 11: I. Prelude 03:07
7. Suite de piece No. 1 in E Minor, Op. 11: II. Allemande 01:35
8. Suite de piece No. 1 in E Minor, Op. 11: III. Rondeau "Les Charites" 02:02
9. Suite de piece No. 1 in E Minor, Op. 11: IV. "L'Emerveillee" 00:53
10. Suite de piece No. 1 in E Minor, Op. 11: V. Gavotte 01:51
11. Suite de piece No. 1 in E Minor, Op. 11: VI. Menuet 01:20
Solo Flute Sonata (Yehezkel Braun)
12. Solo Flute Sonata: I. Allegro 04:39
13. Solo Flute Sonata: II. (Dialogue). Lento assai 03:22
14. Solo Flute Sonata: III. Allegro non troppo 03:38
Reaching for the Moon (Gloria Coates)
15. Reaching for the Moon 04:30
Fantasia I, Op. 6, No. 1 (Leonhard von Call)
16. Fantasia I, Op. 6, No. 1: I. Adagio 02:18
17. Fantasia I, Op. 6, No. 1: II. Minuetto 02:43
18. Fantasia I, Op. 6, No. 1: III. Allegretto 02:43
Tinted Drawings for Flute (Daniel Bortz)
19. Tinted Drawings for Flute: I. Furioso 03:42
20. Tinted Drawings for Flute: II. Presto 05:06
Performers:
Sharon Bezaly (flute)
Sharon Bezaly’s second volume of solo flute works (covering B and C in her monumental alphabetic survey) is less a recital than it is a decathlon. Short of sticking dynamite into her flute or hurling it across the studio, she fires off every technical trick in the flutist’s arsenal–flutter-tonguing, swooping glissandos, microtonal warps, harmonic double-stops, and percussive key slaps. All the more amazing is the ease with which she pulls off these effects, effortlessly combining them with a marvelous technique, spinning tone, subtle double-tonguing, and remarkable breath control. As with her first A-to-Z disc, Bezaly’s all alone here, blessed with a warm acoustic venue that aids her lower register and creates a nice bloom around her limpid sound.
Her choices are, almost by definition, eclectic and fresh, interspersed with trifling palette-cleansers by Boismortier and Call. With all the fireworks, it bears mentioning that there is some wonderful music here. For instance, both Sven-Erik Bäck and Yehezkhel Braun write lyrically and rhapsodically in their respective sonatas, bringing out the best in the flute’s middle register, even if the third movements of each tilt toward technical brilliance. These works lie in contrast to Fulvio Caldini’s minimalist work, a non-stop ping-pong of notes whose metronomic relentlessness makes you wonder where the soloist might take a breath. In yet another shift of style, we hear Daniel Börtz’s Tinted Drawings, a work dedicated to Bezaly that concerns itself more with tone-coloring, rapid trilling, and flying scales to make its expressive point. Elliott Carter’s wistful allegorical paean to breathing seems tailor-made for the flute as it alternates between drifting languor and spiky piercing outbursts.
Easily the most disturbing piece on offer is Gloria Coates’ Reaching for the Moon. Its four-minutes of lunar lunacy transforms the flute into something nearly unrecognizable and relies on the performer to not only sing into the flute but also to produce several other unholy sounds that test embouchure skills to their limits. We can only assume that there are as many instructions as there are notes in the score. Listeners can draw their own conclusions about the quality of the music, but this disc is surely another triumph for this gifted flutist, who seemingly can (and will) play anything put in front of her.
|
|
发表于