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艺术家：蒂莫·朱科·赫尔曼、海德堡交响乐团
标题：《萨列里与贝多芬的对话》
发行年份：2021年
厂牌：汉斯勒经典
流派：古典
音质：FLAC（分轨）/24位-48千赫兹FLAC（分轨+小册子）
总时长：48:18
总大小：213/492兆字节
网站：专辑预览
曲目列表：
01. 萨列里：《哈布斯堡》序曲（5:32）
02. 贝多芬：《维斯塔之火》，赫斯115号：《看哪，主啊，透过这些树林》（10:22）
03. 萨列里：《法尔马库萨的凯撒》序曲（4:06）
04. 贝多芬：《颤抖吧，恶人，颤抖吧》，作品116号（8:07）
05. 萨列里：《沉默的神谕》序曲（4:36）
06. 萨列里：《耶路撒冷的重建》：《多么浓密的夜！多么寂静！》（15:36）
“ pupil贝多芬曾在此！”——年轻的钢琴 virtuoso伊格纳西·莫舍莱斯在其导师、维也纳宫廷乐正安东尼奥·萨列里家中的一张便条上，看到了用大写字母书写的这句话。这位十四岁的艺术学徒、贝多芬的狂热崇拜者不禁思索：“像贝多芬这样的人物，竟还需要向萨列里这样的人学习？那我更要学了！”值得注意的是，时至1808年已被广泛视作天才的贝多芬，仍乐于听取萨列里的建议。
这两位音乐家最早可能在18世纪90年代中期相识；1795年3月，贝多芬在维也纳首次以独奏家身份演出自己的钢琴协奏曲，由萨列里担任指挥。当时他已以演奏家与器乐作曲家的身份闻名，但尚未在歌剧这一备受尊崇的领域崭露头角。贝多芬正是从那时起开始追求歌剧领域的发展，且显然意识到自己在声乐创作方面经验不足。而萨列里则是维也纳数十年来无可争议的声乐权威——这位善于交际、人脉广泛的大师从不向学生收费，贝多芬多年来充分利用了这一免费学习的机会。他将自己的作品12号小提琴奏鸣曲题献给萨列里，以感谢其慷慨，并根据萨列里歌剧《福斯塔夫或三桩趣事》中的一首二重唱创作了一组变奏曲。
Artist: Timo Jouko Herrmann, Heidelberger Sinfoniker
Title: Salieri & Beethoven in Dialogue
Year Of Release: 2021
Label: haenssler CLASSIC
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 48:18
Total Size: 213 / 492 MB
WebSite: Album Preview
Tracklist:
01. Salieri: Habsburg: Ouverture (5:32)
02. Beethoven: Vestas Feuer, Hess 115: Blick, o Herr, durch diese Bäume (10:22)
03. Salieri: Cesare in Farmacusa: Ouverture (4:06)
04. Beethoven: Tremate, empi tremate, Op. 116 (8:07)
05. Salieri: L'oracolo muto: Ouverture (4:36)
06. Salieri: La riedificazione di Gerusalemme: Qual densa notte! Qual silenzio! (15:36)
“The pupil Beethoven was here!” – the young piano virtuoso Ignaz Moscheles caught sight of this sentence in block letters on a note in the house of his teacher Antonio Salieri, Kapellmeister to the Viennese court. “A man like Beethoven still has something to learn from somebody like Salieri? How much more do I!” thought the fourteen-year-old acolyte of the arts and ardent admirer of Beethoven. It is indeed noteworthy that Beethoven, who by 1808 was already widely acknowledged as a genius, was still ready to take advice from Salieri.
The two musicians must first have met in the mid-1790s; Beethoven made his first appearance as a soloist in Vienna in March 1795 with a piano concerto of his own that Salieri conducted. He was already known as a virtuoso and instrumental composer, but had yet to make his mark in the prestigious genre of opera. Beethoven began at that time to pursue his goal of employment in the operatic sphere and was evidently aware of his relative lack of experience in the field of vocal music. Salieri for his part was Vienna’s unchallenged authority on the subject and had been so for decades. The sociable and well connected maestro never charged his students, and Beethoven made good use of the offer of free lessons over the years. He thanked Salieri for his generosity by dedicating his Op. 12 Violin Sonatas to him and by composing a set of variations on a Duettino from Salieri’s opera Falstaff ossia Le tre burle.
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