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艺术家：克里斯蒂安·林德伯格、北极爱乐乐团
标题：柴可夫斯基：第五交响曲与天鹅湖组曲
发行年份：2013年
厂牌：BIS
类型：古典音乐
音质：无损FLAC格式 / 24位-96kHz FLAC格式（含小册子）
总时长：1小时10分49秒
总大小：307兆字节 / 780兆字节
网站：专辑预览
曲目列表
01. e小调第五交响曲，作品64号：I. 行板 – 有感情的快板
02. e小调第五交响曲，作品64号：II. 有适当自由速度的歌唱性行板
03. e小调第五交响曲，作品64号：III. 圆舞曲，中板快板
04. e小调第五交响曲，作品64号：IV. 终曲，庄严的行板 – 活泼的快板
05. 天鹅湖组曲，作品20a号：I. 场景
06. 天鹅湖组曲，作品20a号：II. 圆舞曲
07. 天鹅湖组曲，作品20a号：III. 天鹅之舞
08. 天鹅湖组曲，作品20a号：IV. 场景
09. 天鹅湖组曲，作品20a号：V. 匈牙利舞曲，“查尔达什”
10. 天鹅湖组曲，作品20a号：VI. 场景
北极爱乐乐团、克里斯蒂安·林德伯格演绎《柴可夫斯基：第五交响曲与天鹅湖组曲》（2013年高解析度版）
柴可夫斯基的e小调第五交响曲是古典音乐史上演奏与录音最频繁的作品之一，因此任何新录音的出现几乎都需要一番辩白。克里斯蒂安·林德伯格与北极爱乐乐团合作的这张混合SACD，以高保真格式呈现了清晰的演绎，对于寻求每个音符都清晰可辨的扎实演奏的听众而言，可谓无需他寻。然而，演绎第五交响曲的理由似乎并不特别充分——事实上，所有乐团似乎都将其视为唱片目录中的必录曲目，而新兴的北极爱乐乐团显然正急于完成这一“任务”。“快”也是第一乐章的关键词：林德伯格的速度极快，几乎是以疾驰的方式掠过，在柴可夫斯基的切分节奏下，节拍脉搏几乎难以计数。在其余乐章中，林德伯格遵循传统，因此节奏虽可预测，但终章中他将音量提升至超乎预期的澎湃程度。尽管如此，这版第五交响曲的必要性仍存疑，且其存在并未缓解录音版本间的激烈竞争。作为补充的《天鹅湖》组曲虽具吸引力，但除非听众对交响曲本身印象深刻，否则大多不会特别关注。听过之后他们或许会有好感，但在大多数方面，林德伯格的诠释与其他主流录音并无二致，并无特别值得兴奋之处。
Artist: Christian Lindberg, Arctic Philharmonic Orchestra
Title: Tchaikovsky: Symphony No. 5 & Swan Lake Suite
Year Of Release: 2013
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:10:49
Total Size: 307 / 780 mb
WebSite: Album Preview
Tracklist
01. Symphony No. 5 in E Minor, Op. 64: I. Andante - Allegro con anima
02. Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza
03. Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato
04. Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso - Allegro vivace
05. Swan Lake Suite, Op. 20a: I. Scène
06. Swan Lake Suite, Op. 20a: II. Valse
07. Swan Lake Suite, Op. 20a: III. Danse des cygnes (Dance of the Swans)
08. Swan Lake Suite, Op. 20a: IV. Scène
09. Swan Lake Suite, Op. 20a: V. Danse hongroise, "Czardas" (Hungarian Dance)
10. Swan Lake Suite, Op. 20a: VI. Scène
Arctic Philharmonic Orchestra, Christian Lindberg - Tchaikovsky: Symphony No. 5 & Swan Lake Suite (2013) [Hi-Res]
Tchaikovsky's Symphony No. 5 in E minor is one of the most frequently played and recorded works in the history of classical music, and the appearance of yet another recording practically requires a legal defense. Christian Lindberg's hybrid SACD with the Arctic Philharmonic Orchestra offers a clear sounding reading in the audiophile format, and anyone who is looking for a solid performance where every note is audible need look no further. However, the reason for performing the Fifth hardly seems compelling. Indeed, it has simply become obligatory for all orchestras to get it into their discographies, and the fledgling Arctic Philharmonic is apparently getting this chore out of the way as fast as it can. Fast is the operative word for the first movement, too. Lindberg's tempo is excessively brisk, and he whips through it with such speed, one can barely count the pulse under Tchaikovsky's syncopations. Lindberg follows convention in the remaining movements, so his tempos are predictable, even though he cranks up the bombast in the Finale beyond expectations. Still, it's unclear that this version of the Fifth is necessary, and the fierce competition of recordings isn't reduced by its presence. The suite from the ballet Swan Lake is provided as appealing filler, though most listeners won't care much about it unless they are impressed by the symphony. They may be on hearing it, but in most respects, Lindberg's interpretation is quite comparable to other mainstream recordings and nothing to get excited about.
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