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艺术家：托马索·马佐莱蒂
标题：彼得罗·亚历山德罗·约恩：管风琴作品全集，第一卷
发行年份：2020年
厂牌：Brilliant Classics
类型：古典管风琴音乐
音质：无损FLAC格式/24位-48.0千赫兹FLAC格式+小册子
总时长：03小时03分45秒
总大小：657兆字节/1.48千兆字节
网站：专辑预览
曲目列表
01. 十二首嬉游曲：I. 回忆，双簧管旋律
02. 十二首嬉游曲：II. 幽默曲，原始管风琴，长笛托卡蒂纳
03. 十二首嬉游曲：III. 希望，迪阿帕松独奏
04. 十二首嬉游曲：IV. 心灵的激情，小诗
05. 十二首嬉游曲：V. 古老小步舞曲与缪塞特舞曲
06. 十二首嬉游曲：VI. 塞蒂莫·维托内的圣诞节，民谣，人声管圣歌
07. 十二首嬉游曲：VII. 回声，同度二重卡农
08. 十二首嬉游曲：VIII. 夜之竖琴，竖琴独奏
09. 十二首嬉游曲：IX. 意大利狂想曲
10. 十二首嬉游曲：X. 美国狂想曲
11. 十二首嬉游曲：XI. 八度三重奏
12. 十二首嬉游曲：XII. 西西里风笛
13. g小调格列高利协奏曲：I. 引子与快板
14. g小调格列高利协奏曲：II. 柔板
15. g小调格列高利协奏曲：III. 谐谑曲
16. g小调格列高利协奏曲：IV. 终曲
17. 悲歌-挽歌
18. D大调托卡塔
19. 小协奏曲，幽默组曲：I. 慢板，小快板-慢圆舞曲速度-活泼的快板
20. 挽歌
21. 三首管风琴作品：II. 音乐会练习曲
22. 三首管风琴作品：III. 第二音乐会练习曲
23. 第二管风琴奏鸣曲，半音奏鸣曲：I. 乡村行板
24. 第二管风琴奏鸣曲，半音奏鸣曲：II. 悲伤柔板
25. 第二管风琴奏鸣曲，半音奏鸣曲：III. 幻想曲与赋格
26. 第一管风琴奏鸣曲，第一奏鸣曲：I. 充满激情的快板
27. 第一管风琴奏鸣曲，第一奏鸣曲：II. 不过分的柔板
28. 第一管风琴奏鸣曲，第一奏鸣曲：III. 小步舞曲
29. 第一管风琴奏鸣曲，第一奏鸣曲：IV. 主题与变奏曲
30. 第三管风琴奏鸣曲，浪漫奏鸣曲：I. 引子与快板
31. 第三管风琴奏鸣曲，浪漫奏鸣曲：II. 柔板
32. 第三管风琴奏鸣曲，浪漫奏鸣曲：III. 终曲
托马索·马佐莱蒂 - 彼得罗·亚历山德罗·约恩：管风琴作品全集，第一卷（2020年）[高解析度]
“托斯卡尼尼的管风琴家”带来的华丽而壮观的浪漫主义作品。
彼得罗·约恩（1886-1943）曾参与1935年由阿图罗·托斯卡尼尼在卡内基音乐厅指挥的贝多芬《庄严弥撒》演出，该场演出被广泛认为是史上最优秀的演绎之一。约恩与伊丽莎白·雷特伯格、埃齐奥·平扎等艺术家同台，他在管风琴界也享有盛誉——21岁从意大利移民美国后，他成为纽约圣帕特里克大教堂的管风琴师（美国天主教的核心席位）。《纽约时报》曾报道称，他以“新纽约人”的身份跻身上流社会，喜爱拉格泰姆和杂耍表演，卡鲁索和托斯卡尼尼等名人都是他的家中常客。1943年他去世时，这位世界著名指挥家位列圣帕特里克大教堂1300名哀悼者之中。
约恩的音乐带有后浪漫主义与跨大西洋的多元风格，不局限于单一“流派”。《塞蒂莫·维托内的圣诞节》《意大利狂想曲》汲取了他皮埃蒙特的文化根源；第三张CD中的三首大型管风琴奏鸣曲，则延续了李斯特等19世纪键盘演奏的炫技传统，并融入了吉尔曼、维厄纳等法国同代作曲家的管风琴表现手法。第一张CD收录的十二首嬉游曲，不仅包含上述意大利主题的特色小品，还有广阔的《美国狂想曲》（类似跨大西洋版本的豪厄尔斯作品，其半音和声与利奥·索厄比的音乐有共通之处），以及展现圣帕特里克大教堂管风琴全音域色彩的短小练习曲（约恩曾对该管风琴进行大规模改造以适应时代审美，类似巴黎圣母院的皮埃尔·科舍罗）。
其中最特别的作品是四乐章的《格列高利协奏曲》（管风琴与钢琴）。如同雷斯庇基的同名小提琴协奏曲，该作品以圣咏为主题，编织成新浪漫主义的丰富结构，并以勃拉姆斯式的恢弘气势与交响动力，通过两件乐器的尖锐对话得以呈现。
出生于1991年的托马索·马佐莱蒂曾在日内瓦与洛桑音乐学院攻读管风琴演奏硕士学位，本录音于今年早些时候在洛桑大教堂的管风琴上完成。这位管风琴家还在专辑小册子中撰写了关于彼得罗·约恩生平与职业生涯的权威文章。
彼得罗·亚历山德罗·约恩（1886-1943）生于意大利阿尔卑斯山麓，音乐天赋早被发掘，先后在都灵和罗马师从斯甘巴蒂（钢琴）与伦齐（管风琴）。他作为杰出管风琴家的声誉迅速传至国际，1907年受邀担任纽约曼哈顿管风琴师并定居于此。1914年，约恩在纽约 Aeolian 音乐厅举办首场音乐会，开启了成功的演奏生涯。在近三十年的活跃演出中，他举办了约1500场音乐会，其中23场在著名的卡内基音乐厅。1926年，他接任圣帕特里克大教堂管风琴师一职，革新并拓展了教堂的音乐活动，邀请大都会歌剧院的独奏家在礼拜中演出。他与卡鲁索、托斯卡尼尼交好，后者曾演奏他的管弦乐与合唱作品。
约恩非凡的管风琴作品显然受到美国新建管风琴丰富表现力的启发，包括数首奏鸣曲、《格列高利协奏曲》、十二首嬉游曲及许多应景作品、炫技曲和练习曲。
本卷作为约恩管风琴作品全集的第一卷，由罗马国家艺术奖得主托马索·马佐莱蒂使用洛桑大教堂宏伟的菲斯克管风琴演奏，专辑小册子中包含该管风琴的完整配置说明。
Artist: Tommaso Mazzoletti
Title: Pietro Alessandro Yon: Complete Organ Music, Vol. 1
Year Of Release: 2020
Label: Brilliant Classics
Genre: Classical Organ
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 03:03:45
Total Size: 657 mb / 1.48 gb
WebSite: Album Preview
Tracklist
01. 12 Divertimenti: I. Rimembranza, Melody for Oboe
02. 12 Divertimenti: II. Humoresque, L'organo Primitivo, Toccatina for Flute
03. 12 Divertimenti: III. Speranza, Solo for Diapason
04. 12 Divertimenti: IV. Elan Du Coeur, Petite Poème
05. 12 Divertimenti: V. Minuetto Antico E Musetta
06. 12 Divertimenti: Vi. Christmas in Settimo Vittone, Folk-Song, Carol for Vox Humana
07. 12 Divertimenti: VII. Echo, Double Canon in Unison
08. 12 Divertimenti: VIII. Arpa Notturna, Harp Solo
09. 12 Divertimenti: IX. Rapsodia Italiana
10. 12 Divertimenti: X. American Rhapsody
11. 12 Divertimenti: XI. Trio All'ottava
12. 12 Divertimenti: XII. Cornamusa Siciliana
13. Concerto Gregoriano in A Minor: I. Introduzione Ed Allegro
14. Concerto Gregoriano in A Minor: II. Adagio
15. Concerto Gregoriano in A Minor: III. Scherzo
16. Concerto Gregoriano in A Minor: IV. Finale
17. Canto Elegiaco-Elegy
18. Toccata in D Major
19. La Concertina, Suite Umoresca: I. Lento, Allegretto-Tempo di Valzer Lento-Allegro Vivace
20. Elegia
21. 3 Compositions for Organ: II. Concert Study
22. 3 Compositions for Organ: III. Second Concert Study
23. Organ Sonata No. 2, Sonata Cromatica: I. Andante Rustic
24. Organ Sonata No. 2, Sonata Cromatica: II. Adagio Triste
25. Organ Sonata No. 2, Sonata Cromatica: III. Fantasia E Fuga
26. Organ Sonata No. 1, Sonata Prima: I. Allegro Con Spirito Impetuoso
27. Organ Sonata No. 1, Sonata Prima: II. Adagio, Ma Non Troppo
28. Organ Sonata No. 1, Sonata Prima: III. Minuetto
29. Organ Sonata No. 1, Sonata Prima: IV. Tema E Variazioni
30. Organ Sonata No. 3, Sonata Romantica: I. Introduzione Ed Allegro
31. Organ Sonata No. 3, Sonata Romantica: II. Adagio
32. Organ Sonata No. 3, Sonata Romantica: III. Finale
Tommaso Mazzoletti - Pietro Alessandro Yon: Complete Organ Music, Vol. 1 (2020) [Hi-Res]
Sumptuous and spectacular Romantic works by ‘Toscanini’s Organist’.
Pietro Yon (1886-1943) played in what is widely regarded as one of the finest-ever performances of Beethoven’s Missa solemnis, conducted at Carnegie Hall in 1935 by Arturo Toscanini. Yon was sharing the stage with the likes of Elizabeth Rethberg and Ezio Pinza; he had acquired a comparable celebrity within the organ world in his lifetime, having emigrated from Italy to the US at the age of 21, and become Organist of St Patrick’s Cathedral in New York, the foremost seat of Catholicism in the US. A New York Times profile portrayed him as an adopted New Yorker who moved in high-society circles and enjoyed ragtime and vaudeville, and he welcomed the likes of Caruso and Toscanini to his home as friends. When he died in 1943, the world-famous conductor numbered among the 1300 mourners at St Patrick’s.
Yon’s own music has a post-Romantic, mid-Atlantic flavour reflecting his background without belonging to a single ‘school’. Christmas in Settimo Vittone or Rapsodia Italiana draw on his Piedmontese heritage. The trio of large-scale organ sonatas occupying CD3 emerge from the virtuoso tradition of 19th-century keyboard writing exemplified by Liszt and translated to the organ by French contemporaries such as Guilmant and Vierne. CD1 is dedicated to a collection of 12 Divertimenti including not only the Italian-themed character pieces mentioned above but also an expansive ‘American Rhapsody’ – like a transatlantic version of Howells, perhaps, sharing its chromatic harmony with the music of Leo Sowerby – and shorter study-like pieces which exploit the full range of colours available on the organ of St Patrick’s which he had extensively renovated and updated to reflect changing tastes, rather as Pierre Cochereau did at Notre-Dame in Paris.
The most unusual piece here is the four-movement Concerto Gregoriano for organ and piano. Like Respighi’s violin concerto of the same name, the piece takes its themes from the heritage of chant and weaves them into a richly embroidered neo-Romantic structure, but with a Brahmsian grandeur and symphonic impetus which is catalysed by incisive dialogue between the two instruments.
Born in 1991, Tommaso Mazzoletti undertook postgraduate studies in organ performance at the conservatoires of Geneva and Lausanne, and the present recording was made earlier this year on the organ of Lausanne Cathedral. The organist also contributes an authoritative booklet essay on the life and career of Pietro Yon.
Pietro Alessandro Yon (1886-1943) was born at the foot of the Alps in Italy. His musical talent was soon discovered and he went to study in Turin and later in Rome with Sgambati (piano) and Renzi (organ). His fame as a brilliant organist soon spread internationally and he was offered a post as organist in Manhattan, New York, where he settled for life in 1907. Pietro met with enormous success as a concert performer, holding his first concert at the Aeolian Hall in New York in 1914. During the course of almost thirty years of feverish activity, he gave around 1500 performances, 23 of them in the famous Carnegie Hall. By 1926 he had made an outstanding name for himself, acquiring the post of Organist at St. Patrick’s Cathedral, the foremost seat of Catholicism in the USA, renewing and expanding the events organized at the Cathedral. He invited the soloists of the Metropolitan Opera to perform during services. He made friends with Caruso and Toscanini, who performed his orchestral and choral works.
Yon’s extraordinary organ works are clearly inspired by the enormous possibilities of the newly built organs in the USA. They include several Sonatas, a Concerto Gregoriano, 12 Divertimenti for organ and many occasional works, showpieces and studies.
This first volume of Yon’s complete Organ Music is played on the magnificent Fisk organ of the Lausanne Cathedral, by organist Tommaso Mazzoletti, winner of the Premio Nazionale delle Arti in Rome. The full specifications of the organ are included in the booklet.
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