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艺术家：本杰明·格罗夫纳
标题：李斯特 本杰明·格罗夫纳
发行年份：2021年
厂牌：迪卡音乐集团有限公司
流派：古典
音质：FLAC（音轨）/24比特-96kHz FLAC（音轨）
总时长：01:23:50
总大小：238兆字节/1.31吉字节
网站：专辑预览
曲目列表
1. B小调钢琴奏鸣曲，S.178：甚慢板—有力的快板—宏伟的—宣叙调（12:31）
2. B小调钢琴奏鸣曲，S.178：绵延的行板—（7:58）
3. B小调钢琴奏鸣曲，S.178：有力的快板（7:24）
4. B小调钢琴奏鸣曲，S.178：绵延的行板—甚慢板（3:58）
5. 摇篮曲，S.174（9:37）
6. 旅行岁月第二集，S.161：4. 彼特拉克十四行诗第47首（6:03）
7. 旅行岁月第二集，S.161：5. 彼特拉克十四行诗第104首（7:01）
8. 旅行岁月第二集，S.161：6. 彼特拉克十四行诗第123首（7:23）
9. 《诺玛》回忆，S.394（贝利尼主题改编）（16:33）
10. 圣母颂，S.558（舒伯特主题改编，D.839）（5:28）
本杰明·格罗夫纳为迪卡唱片录制的新独奏专辑选择了弗朗茨·李斯特的作品，得益于祖父的启蒙，李斯特的音乐自他童年起便一直陪伴着他。这位英国钢琴家的曲目以B小调奏鸣曲这一钢琴里程碑作品为核心，旨在通过标志性的创作（彼特拉克的三首十四行诗）、原创作品（《摇篮曲》），以及李斯特在改编曲中展现的非凡再创作力（如贝利尼主题改编的《诺玛》回忆和舒伯特《圣母颂》的改编曲），展现这位匈牙利作曲家创作的多面性。
格罗夫纳的每一场音乐会和每一张音乐专辑都备受期待，他的个性如此丰富，钢琴技巧如此卓越。他最近那张专注于弗雷德里克·肖邦协奏曲的专辑，证实了这位钢琴家在优秀同行中的卓越地位。
他对著名的李斯特奏鸣曲的诠释立刻成为最富灵感的演绎之一。格罗夫纳就像一只猛禽，懂得等待合适的时机，以魔鬼般的精准和内敛的愤怒扑向和弦，营造出戏剧性的梅菲斯特式张力。同时，他钢琴演奏的流畅性为二十世纪音乐，尤其是拉威尔的世界打开了大门，而拉威尔的音乐深受李斯特的影响。众所周知，李斯特在一次可能醉酒的晚餐后为勃拉姆斯演奏他的奏鸣曲时，勃拉姆斯睡着了。但在这场对生命与死亡的有力诠释中，完全不会出现这种情况。堪称权威！
Artist: Benjamin Grosvenor
Title: Liszt
Year Of Release: 2021
Label: Decca Music Group Ltd.
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:23:50
Total Size: 238 MB / 1.31 MB
WebSite: Album Preview
Tracklist:
1. Piano Sonata in B Minor, S. 178 : Lento assai - Allegro energico - Grandioso - Recitativo (12:31)
2. Piano Sonata in B Minor, S. 178 : Andante sostenuto - (7:58)
3. Piano Sonata in B Minor, S. 178 : Allegro energico (7:24)
4. Piano Sonata in B Minor, S. 178 : Andante sostenuto - Lento assai (3:58)
5. Berceuse, S. 174 (9:37)
6. Années de pèlerinage II, S. 161 : 4. Sonetto 47 del Petrarca (6:03)
7. Années de pèlerinage II, S. 161 : 5. Sonetto 104 del Petrarca (7:01)
8. Années de pèlerinage II, S. 161 : 6. Sonetto 123 del Petrarca (7:23)
9. Réminiscences de Norma, S. 394 (after Bellini) (16:33)
10. Ave Maria, S. 558 (after Schubert, D. 839) (5:28)
For his new recital published on the Decca label, Benjamin Grosvenor has chosen Franz Liszt, whose music has followed him since his childhood thanks to his grandfather's initiation. Dedicated to the pianistic monument that is the Sonata in B minor, the English pianist's programme aims to bear witness to the various aspects underlying the Hungarian composer's creation with emblematic compositions (Petrarch's Three Sonnets), original ones (Lullaby), as well as the extraordinary power of re-creation that Liszt distilled in his paraphrases; here we find the Reminiscences of Norma after Bellini and his arrangement of Schubert's Ave Maria.
Every concert and every recording of Grosvenor's music is long awaited and desired, so rich is his personality and his extraordinary pianistic mastery. His recent album devoted to the Frédéric Chopin Concertos confirmed the pre-eminence of this pianist within a well-to-do brotherhood.
His vision of the famous Liszt Sonata is immediately among the most inspired. Like a bird of prey, Grosvenor knows how to wait for the right moment to pounce on the chords with diabolical precision and contained rage, in a dramatic Mephistophelian tension. At the same time, the fluidity of his piano opens the door to the twentieth century and particularly to Ravel's world so dependent on the Liszt lesson. It is known that Brahms had fallen asleep when Liszt played his Sonata to him after a probably drunken dinner. Nothing probable here with this powerful evocation of life and death. Magisterial!
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