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艺术家：那慕尔室内合唱团、 Les Agrémens乐团、莱昂纳多·加西亚·阿拉尔孔
标题：亨德尔：《犹大·马加比》
发行年份：2010年
厂牌：安布罗奈出版社
流派：古典
音质：flac无损 / flac 24比特 - 96.0千赫兹 + 手册
总时长：02:07:57
总大小：701 MB / 2.23 GB
网站：专辑预览
曲目列表
CD1
01. 序曲，作品编号HMV 63
02. 合唱，作品编号HMV 63：哀悼吧，受苦的孩子们
03. 宣叙调，作品编号HMV 63：好了，愿你的悲伤
04. 二重唱，作品编号HMV 63：远离这可怕场景
05. 合唱，作品编号HMV 63：为锡安哀悼吧
06. 宣叙调，作品编号HMV 63：这一阵悲痛并非徒劳
07. 咏叹调，作品编号HMV 63：虔诚的庆典，虔诚的曲调
08. 合唱，作品编号HMV 63：哦，父亲
09. 伴奏宣叙调，作品编号HMV 63：我感受到神性
10. 咏叹调，作品编号HMV 63：武装起来！勇士们
11. 合唱，作品编号HMV 63：我们身着辉煌战衣而来
12. 宣叙调，作品编号HMV 63：“很好，我的朋友们
13. 咏叹调，作品编号HMV 63：唤起你的力量
14. 宣叙调，作品编号HMV 63：向全能的上天
15. 咏叹调，作品编号HMV 63：哦，自由
16. 二重唱，作品编号HMV 63：来吧，永远微笑的自由
17. 合唱，作品编号HMV 63：前进，前进
18. 宣叙调，作品编号HMV 63：我父亲如此意愿
19. 合唱，作品编号HMV 63：蔑视危险
20. 宣叙调，作品编号HMV 63：野心
21. 咏叹调，作品编号HMV 63：无亵渎之欲
22. 合唱，作品编号HMV 63：求你垂听，主啊
23. 合唱，作品编号HMV 63：仇敌已败落
24. 宣叙调，作品编号HMV 63：胜利的英雄
25. 咏叹调，作品编号HMV 63：你的行程如此迅疾
26. 宣叙调，作品编号HMV 63：我们满有希望
27. 二重唱，作品编号HMV 63：锡安如今
28. 宣叙调，作品编号HMV 63：哦，愿永恒的荣耀
29. 咏叹调，作品编号HMV 63：来自伟大君王
30. 二重唱，作品编号HMV 63：欢呼，欢呼
CD2
01. 宣叙调，作品编号HMV 63：感谢我的弟兄们
02. 咏叹调，作品编号HMV 63：人是何等虚空
03. 宣叙调，作品编号HMV 63：哦，犹大
04. 咏叹调，作品编号HMV 63：啊，悲惨啊
05. 宣叙调，作品编号HMV 63：要得安慰
06. 咏叹调，作品编号HMV 63：主行奇妙事
07. 宣叙调，作品编号HMV 63：我的臂膀！
08. 咏叹调，作品编号HMV 63：敲响警报
09. 绕行约柜时的庄严进行曲，作品编号HMV 63
10. 宣叙调，作品编号HMV 63：够了！归向天国
11. 咏叹调，作品编号HMV 63：以虔诚之心
12. 宣叙调，作品编号HMV 63：你们敬拜者 / 不再在锡安
13. 二重唱，作品编号HMV 63：哦，我们永不跪拜
14. 引子，作品编号HMV 63
15. 咏叹调，作品编号HMV 63：天国之父
16. 伴奏宣叙调，作品编号HMV 63：看，看那火焰 / 哦，求你应允
17. 咏叹调，作品编号HMV 63：如此，鲁特琴将
18. 宣叙调，作品编号HMV 63：从迦法萨玛
19. 咏叹调，作品编号HMV 63：止住你的痛苦
20. 宣叙调，作品编号HMV 63：还有更多，尼卡诺尔
21. 合唱，作品编号HMV 63：看！得胜的英雄来了
22. 合唱，作品编号HMV 63：向神歌唱
23. 宣叙调，作品编号HMV 63：旋律甜美流淌
24. 咏叹调，作品编号HMV 63：以荣耀为功绩加冕
25. 宣叙调，作品编号HMV 63：愿我的同胞得平安
26. 宣叙调，作品编号HMV 63：再度降临尘世
27. 二重唱，作品编号HMV 63：哦，可爱的和平
28. 咏叹调，作品编号HMV 63：欢呼吧，犹大 / 哈利路亚，阿门
那慕尔室内合唱团、Les Agrémens乐团、莱昂纳多·加西亚·阿拉尔孔 - 亨德尔：《犹大·马加比》（2010年）[高解析度]
对于英语听众而言，若不介意亨德尔作品由口音颇重的非母语歌手演唱，这个版本的《犹大·马加比》堪称一绝。阿根廷指挥家莱昂纳多·加西亚·阿拉尔孔引领杰出的那慕尔室内合唱团与Les Agrémens乐团，对这部作品进行了极有活力的演绎，成功抹去其作为维多利亚时代业余合唱社团刻板心头好的不良名声。他的节奏明快，速度急促，与这部战争题材作品相得益彰，同时，他的乐句处理优美流畅，抒情段落演绎得富有奢华质感与灵动性。出色的演奏因极为饱满、共鸣丰富的音质而更显精彩，让合唱与独唱的声音都能达到最佳效果，明亮又温暖，清晰得令人振奋。独唱演员们皆是一流水准。阿根廷男中音亚历杭德罗·米拉普费尔饰演西门，口音最为明显，但他演唱的灵动与严谨，以及对巴洛克风格传统的精通，让人愿意忽略他奇怪的元音位置。日本男高音樱田诚的口音问题稍小，他明亮、细腻、英勇的嗓音在标题角色演唱中堪称奇迹。阿根廷女高音玛丽亚·索莱达·德拉罗萨与女中音玛丽安娜·雷韦尔斯基拥有美妙、高亢的嗓音，配合天衣无缝，她们动人的二重唱是演出的高光时刻。这些都是值得关注的艺术家。现场录音收录了一些额外噪音，尤其是意外响亮的翻页声，但鉴于这场演出在其他方面都极具吸引力，这似乎只是小瑕疵 。
Artist: Chœur de Chambre de Namur, Les Agrémens, Leonardo García Alarcón
Title: Handel: Judas Maccabaeus
Year Of Release: 2010
Label: Ambronay Éditions
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 02:07:57
Total Size: 701 mb / 2.23 gb
WebSite: Album Preview
Tracklist
CD1
01. Overture, HMV 63
02. Chorus, HMV 63: Mourn Ye Afflicted Children
03. Recitative, HMV 63: Well, May Your Sorrows
04. Duet, HMV 63: From This Dread Scene
05. Chorus, HMV 63: For Sion Lamentation Make
06. Recitative, HMV 63: Not Vain Is All This Storm of Grief
07. Air, HMV 63: Pious Orgies, Pious Airs
08. Chorus, HMV 63: O Father
09. Accompagnato, HMV 63: I Feel the Deity
10. Air, HMV 63: Arm! Ye Brave
11. Chorus, HMV 63: We Come, in Bright Array
12. Recitative, HMV 63: 'Tis Well, My Friends
13. Air, HMV 63: Call Forth Thy Pow'rs
14. Recitative, HMV 63: To Heaven's Almighty
15. Air, HMV 63: O Liberty
16. Duet, HMV 63: Come, Ever-Smiling Liberty
17. Chorus, HMV 63: Lead On, Lead On
18. Recitative, HMV 63: So Will'd My Father
19. Chorus, HMV 63: Disdainful of Danger
20. Recitative, HMV 63: Ambition
21. Air, HMV 63: No Unhallow'd Desire
22. Chorus, HMV 63: Hear Us, O Lord
23. Chorus, HMV 63: Fall'n Is the Foe
24. Recitative, HMV 63: Victorious Hero
25. Air, HMV 63: So Rapid Thy Course Is
26. Recitative, HMV 63: Well May We Hope
27. Duet, HMV 63: Sion Now
28. Recitative, HMV 63: Oh, Let Eternal Honours
29. Air, HMV 63: From Mighty Kings
30. Duet, HMV 63: Hail, Hail
CD2
01. Recitative, HMV 63: Thanks to My Brethren
02. Air, HMV 63: How Vain Is Man
03. Recitative, HMV 63: O Judas
04. Air, HMV 63: Ah, Wretched
05. Recitative, HMV 63: Be Comforted
06. Air, HMV 63: The Lord Worketh Wonders
07. Recitative, HMV 63: My Arms!
08. Air, HMV 63: Sound an Alarm
09. Solemn March During the Circumvention of the Ark of the Covenant, HMV 63
10. Recitative, HMV 63: Enough! To Heaven
11. Air, HMV 63: With Pious Hearts
12. Recitative, HMV 63: Ye Worshippers / No more in Sion
13. Duet, HMV 63: Oh Never Bow We Down
14. Introduction, HMV 63
15. Air, HMV 63: Father of Heaven
16. Accompagnato, HMV 63: See, See Yon Flames / Oh Grant It
17. Air, HMV 63: So Shall the Lute
18. Recitative, HMV 63: From Capharsalama
19. Air, HMV 63: Cease Thy Anguish
20. Recitative, HMV 63: Yet More Nicanor
21. Chorus, HMV 63: See! The Conquering Hero Comes
22. Chorus, HMV 63: Sing Unto God
23. Recitative, HMV 63: Sweet Flow the Strains
24. Air, HMV 63: With Honour Let Desert Be Crown'd
25. Recitative, HMV 63: Peace to My Countrymen
26. Recitative, HMV 63: Again to Earth
27. Duet, HMV 63: O Lovely Peace
28. Air, HMV 63: Rejoice, O Judah / Alleluia, Amen
Chœur de Chambre de Namur, Les Agrémens, Leonardo García Alarcón - Handel: Judas Maccabaeus (2010) [Hi-Res]
For English-speaking audiences who don't mind their Handel sung by sometimes heavily accented non-native speakers, this version of Judas Maccabaeus is hard to beat. Argentinean conductor Leonardo García Alarcón leads the exemplary ensembles Choeur de Chambre de Namur and Les Agrémens in an exceptionally spirited account of the score that effectively erases any taint of its reputation as starchy favorite of amateur Victorian choral societies. His rhythms are crisp and his tempos impetuous, as is appropriate for the martial subject matter, but his phrasing is also gorgeously shapely and the lyrical numbers are rendered with sumptuous sensuality and flexibility. The brilliance of the performance is amplified by the very resonant and richly ample sound quality, which allows the voices, both choral and solos, to be heard to their best advantage, bright yet warm, with a ringing, exhilarating clarity. The soloists are absolutely first-rate. As Simon, Argentinean baritone Alejandro Meerapfel has the most pronounced accent, but the suppleness and discipline of his singing, as well as his expertise in the conventions of Baroque style, are an incentive to overlook his oddly placed vowels. Accent is somewhat less an issue with Japanese tenor Makoto Sakurada, whose gleaming, nuanced, heroic voice is a marvel in the title role. Argentinean singers soprano Maria Soledad de la Rosa and mezzo-soprano Mariana Rewerski have glorious, soaring voices that are beautifully matched, and their transporting duets are among the high points of the performance. These are all artists to watch out for. The live recording picks up some ancillary noises, particularly surprisingly loud page turns, but that seems like a minor quibble given the quality of the otherwise extraordinarily engaging performance.
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