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艺术家：朱尔斯乐队
标题：狂暴的欢愉
发行年份：2025年
厂牌：烦恼唱片
风格：后朋克、独立摇滚
音质：Mp3 320kbps / FLAC（音轨）/ 24比特-48千赫兹FLAC（音轨）
总时长：37分47秒
总大小：92.3兆字节 / 277兆字节 / 510兆字节
官网：专辑预览
曲目列表：
1. 欢愉（4:05）
2. 迷恋（3:57）
3. 红衣主教（2:48）
4. 莫妮卡妈妈（2:54）
5. 膝盖受伤（3:24）
6. 97%（3:38）
7. 勇气（3:11）
8. 纵情生活（3:42）
9. 杜恩（3:39）
10. 狂暴的欢愉（6:34）
《狂暴的欢愉》是一部故事集，围绕悲伤、愤怒、欲望和身份等主题展开。其中有关于成瘾毒性的故事，有在宗教环境中成长的故事；有关于无法抑制的痴迷、令人孤立的遗弃的故事，有彰显身份的励志颂歌，也有关于性暴力的直白哀叹。这些都是真实的生活经历，毫无保留地呈现出来，每一个音节都在重塑这些经历，无论是带着怨恨、傲慢，还是愤怒、焦虑。
“失去是这张专辑的核心主题，”主唱凯特·普莱斯解释道，“对我们来说，这些歌曲中都有我们对失去的独特理解，但对听众而言，这可能是失去其他东西——亲人、一段关系。但我们从未为失去而哀悼。我们在庆祝失去。失去几乎被普遍视为负面的，但我们在这些时刻中找到了积极的一面。我们必须经历地狱才能到达天堂。《狂暴的欢愉》是关于怀着感激甚至喜爱回首过去，告别一个篇章，开启另一个篇章。”
朱尔斯乐队由凯特·普莱斯、米奇·戈登、克里斯·约翰斯顿、卡勒姆·康纳基、乔·多德和切尔西·罗纳组成，自2023年初这群音乐人走到一起以来，这个名字就一直在消息灵通的粉丝和音乐潮流引领者的嘴边流传。乐队以宣泄式、变幻莫测且精彩的现场表演迅速打响名气，一直受到BBC第一电台的推崇，包括在丹尼尔·P·卡特备受尊敬的《摇滚秀》中两次获得“本周金曲”。
《狂暴的欢愉》于2024年8月和12月在南安普顿的牧场录音室分两次、每次一周完成录制，刘易斯·约翰斯负责制作和混音。
当被问及风格时，朱尔斯乐队可能会将自己定义为朋克乐队——但这里的朋克是一种精神状态，而非一种音乐风格——不过《狂暴的欢愉》不仅有表层的后朋克元素，还同样借鉴了金属、说唱、后硬核和嘻哈等多种音乐风格。戈登和普莱斯表示，这张专辑的影响既来自特恩斯泰尔乐队、人体模型猫咪乐队和 amyl与嗅探者乐队，也来自小西蒙兹和街头乐队的迈克·斯金纳。“我们不一定从声音或结构的角度看待音乐，”戈登点头说道，“相反，我们关注的是态度。”
Artist: JooLs
Title: Violent Delights
Year Of Release: 2025
Label: Hassle Records
Genre: Post-Punk, Indie Rock
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 37:47
Total Size: 92.3 / 277 / 510 MB
WebSite: Album Preview
Tracklist:
1. The Pleasures (4:05)
2. Limerence (3:57)
3. Cardinal (2:48)
4. Mother Monica (2:54)
5. Knee Injury (3:24)
6. 97% (3:38)
7. Guts (3:11)
8. Live Deliciously (3:42)
9. Dunoon (3:39)
10. Violent Delights (6:34)
Violent Delights is an anthology of stories that meanders through themes of grief, rage, desire and identity. There are stories of the toxicity of addiction, and growing up around religion; stories of overwhelming obsession, isolating abandonment, and empowering anthems of identity, and stark laments about sexual violence. They are each lived experiences, laid bare, reclaimed with every syllable whether dripping in spite or swagger, anger or anxiety.
“Loss is a central theme of the album,” explains vocalist Kate Price. “For us, we have our own specific version of what that is in these songs, but for anyone listening, it could be the loss of something else – a loved one, a relationship. But we’re never mourning loss. We’re celebrating it. Loss is almost universally looked at as a negative, but we’re finding the positives in those moments. We had to go through hell to get to heaven. Violent Delights is about looking back with gratitude, and even fondness, the closing of one chapter and beginning of another.”
Jools - comprised of Kate Price, Mitch Gordon, Chris Johnston and Callum Connachie, Joe Dodd, and Chelsea Wrones - has been a name on the lips of clued-up fans and tastemakers since its collective of musicians found each other in the earliest days of 2023. Quickly gaining a reputation for their cathartic, unpredictable and specular live performances, the band have been consistently championed by BBC Radio One, including two ‘Tune of the Week’ placements on Daniel P Carter’s esteemed Rock Show.
Violent Delights was recorded across two week-long stints at Southampton's The Ranch studio in August and December of 2024, with Lewis Johns helming production and mixing duties.
When pressed, Jools may identify as a punk band – in its truest sense that punk is a mentality, rather than a sound – but Violent Delights equally lends from the worlds of metal, rap, post-hardcore and hip-hop as much as it does the post-punk of its surface layer. Gordon and Price are as likely to point to Turnstile, Mannequin Pussy and Amyl & The Sniffers as influences on the record as they are to Little Simz and The Streets’ Mike Skinner. “We don’t necessarily look at music in sounds or structures,” nods Gordon. “Instead we look for attitudes.”
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