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09-芝加哥艺术管弦乐团《来自墨西哥城的优雅音乐》2020年,Hi-Res,24B - 88.2kHz

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发表于 2025-4-7 08:04:55 | 显示全部楼层 |阅读模式
Chicago Arts Orchestra & Javier José Mendoza - Galant Music from Mexico City (2.jpg



艺术家:芝加哥艺术管弦乐团(Chicago Arts Orchestra)、哈维尔·何塞·门多萨(Javier José Mendoza)
作品名称:《来自墨西哥城的优雅音乐》(Galant Music from Mexico City)
发行年份:2020年
厂牌:纳沃纳唱片公司(Navona)
音乐类型:古典音乐
音质:无损FLAC格式 / 24比特 - 88.2千赫兹FLAC格式
总时长:00:53:38
总大小:276 / 937兆字节
网站:专辑预览

曲目列表
01. G大调《儿童弥撒曲》:第一部分,垂怜经
02. G大调《儿童弥撒曲》:第二部分,荣耀经
03. G大调《儿童弥撒曲》:第三部分,信经
04. G大调《儿童弥撒曲》:第四部分,圣哉经
05. G大调《儿童弥撒曲》:第五部分,羔羊经
06. 《耶利米哀歌的起首》
07. 《啊!甜蜜的韵律和谐》
08. 《佩德罗·阿马多》
09. 带狩猎圆号的G大调交响曲:第一乐章,快板
10. 带狩猎圆号的G大调交响曲:第二乐章,行板
11. 带狩猎圆号的G大调交响曲:第三乐章,快板

对于早期音乐的爱好者来说,《伊格纳西奥·耶路撒冷:G大调弥撒曲》是一份绝佳的礼物,这张专辑是为了纪念这位作曲家逝世250周年而发行的。这位鲜为人知的意大利裔优雅音乐创作者,在墨西哥度过了丰富多彩的一生,如今在墨西哥裔美国指挥家哈维尔·何塞·门多萨的指挥下,芝加哥艺术管弦乐团给予了他应得的关注。

伊格纳西奥·耶路撒冷(1707-1769)被认为是美洲最具影响力的优雅音乐作曲家,他可能不像他的欧洲同行们那样广为人知。但他知名度有限的原因更多是由于地理位置的劣势,而非音乐才能的欠缺。这张专辑中的作品大多创作于这位流亡者生命的后期,即18世纪60年代,它们具备那个时代欧洲出生的作曲家作品的所有特征。这些作品充满活力、生气勃勃、富有精神和动力,同时也体现出意大利人对天主教虔诚、精神反思和信仰的独特理解。

鉴于耶路撒冷的大部分作品都是宗教礼仪作品,人们或许会误以为他只是一位普通的教堂作曲家。毕竟,他在生命的最后二十年里一直担任墨西哥大教堂的唱诗班指挥,甚至在他正式任职之前,大教堂就委托他创作了许多作品。然而,这样的看法无疑是对他那些令人愉悦的世俗作品的不公,比如《投入战斗》,芝加哥艺术管弦乐团此前已录制过这首作品,并在纳沃纳唱片公司发行。此外,人们也不能忽视他的非宗教礼仪的宗教作品,比如迷人的二重唱《佩德罗·阿马多》,或是宏伟的《耶利米哀歌的起首》,这些作品绝非平庸之作。

《伊格纳西奥·耶路撒冷:G大调弥撒曲》是一次有力的尝试,旨在让这位因相对孤立和缺乏同侪认可而使遗产未得到应有重视的作曲家受到关注。这是一份当之无愧的致敬,毫无疑问,它既能愉悦人们的耳朵,也能触动人们的心灵,正如这位大师所期望的那样。

演奏团体:芝加哥艺术管弦乐团
指挥:哈维尔·何塞·门多萨
芝加哥艺术合唱团
合唱指挥:乔纳森·梅青格

Artist: Chicago Arts Orchestra, Javier José Mendoza
Title: Galant Music from Mexico City
Year Of Release: 2020
Label: Navona
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz
Total Time: 00:53:38
Total Size: 276 / 937 mb
WebSite: Album Preview

Tracklist

01. Mass in G Major "De los Niños": I. Kyrie
02. Mass in G Major "De los Niños": II. Gloria
03. Mass in G Major "De los Niños": III. Credo
04. Mass in G Major "De los Niños": IV. Sanctus
05. Mass in G Major "De los Niños": V. Agnus Dei
06. Incipit Lamentatio Jeremiae Prophetae
07. ¡Ah! De la Dulce Métrica Armonía
08. Pedro Amado
09. Symphony in G Major with Hunting Horns: I. Allegro
10. Symphony in G Major with Hunting Horns: II. Andante
11. Symphony in G Major with Hunting Horns: III. Allegro


Lovers of Early Music are in for a huge treat with IGNACIO JERUSALEM: MASS IN G, a tribute commemorating the 250th anniversary of the composer's death. The little-known, Italian-born, galant creator, who spent much of his colorful life in Mexico, receives long-deserved attention from the Chicago Arts Orchestra under the baton of Mexican-American conductor Javier José Mendoza.

Considered the most influential composer of galant music in the Americas, Ignacio Jerusalem (1707-1769) might not be as well-known as his European counterparts: but the reason for his limited renown has more to do with a geographical disadvantage, rather than lack of musical ability. The works presented on this album were largely composed towards the end of the emigre's life, in the 1760s, and they bear all of the hallmarks one would expect from a European-born composer of the era. There is plenty of zest, liveliness, spirit, drive; but also a distinctly Italian take on Catholic piety, spiritual reflection and faith.

One might be forgiven to view Jerusalem as a ready-made, run-of-the-mill church composer, considering that most of Jerusalem's oeuvre consists of liturgical works – after all, he spent the last two decades of his life as chapel master of the Catedral de México, which had commissioned plenty of works by him even before his official tenure. Doing so, of course, would mean doing injustice to his delightful secular compositions, such as AL COMBATE which was previously recorded by the Chicago Arts Orchestra and released on Navona Records. Furthermore, one cannot disregard the composers non-liturgical sacred works, such as the charming duet Pedro Amado or the magnificent Incipit Lamentatio Jeremiae Prophetae, which are anything but run-of-the-mill.

IGNACIO JERUSALEM: MASS IN G is a solid attempt at shining a light on a composer whose legacy unjustly suffered from his relative isolation and lack of peerage. It is a well-deserved tribute, and one that will indubitably please the ear as well as the soul – just as the master intended.

Chicago Arts Orchestra
Javier José Mendoza, director
Chicago Arts Chorale
Jonathan Metzinger, choirmaster


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