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艺术家：朱莉安娜·贡德克、张强、香港管弦乐团、黄绍辉
作品名称：盛宗亮：《中国梦》/《南京！南京！》
发行年份：2003年
厂牌：拿索斯唱片公司
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 44.1千赫兹 + 小册子
总时长：1小时05分44秒
总大小：298兆字节 / 610兆字节
网站：专辑预览
朱莉安娜·贡德克、张强、香港管弦乐团、黄绍辉 - 盛宗亮：《中国梦》/《南京！南京！》（2003年）[高解析度音频]
曲目列表：
01. 《中国梦》：前奏
02. 《中国梦》：号角
03. 《中国梦》：溪流潺潺
04. 《中国梦》：长江三峡
05. 两首宋词：《钗头凤》
06. 两首宋词：《声声慢》
07. 《南京！南京！》：《南京！南京！》—— 为管弦乐队与琵琶而作的挽歌
盛宗亮出生于上海，童年时期经历了中国的文化大革命，后来在当地的音乐学院学习作曲。1982年，他前往纽约继续深造，师从伯恩斯坦等人，并在中美两国斩获了多项奖项。他的音乐极易被大众接受，具有独特的个人风格，且在管弦乐的配器上色彩丰富、变幻莫测。气势恢宏的《中国梦》是根据民间音乐创作而成的。四个乐章中的第二乐章《号角》是一首精彩的托卡塔曲，大量运用了打击乐器，立刻就能吸引听众的注意力，紧接着是对潺潺流水的生动描绘。朱莉安娜·贡德克与管弦乐团合作演绎了两首创作于1985年的早期作品《两首宋词》，第一首简短而富有异国情调，其中包含了一些精湛的声乐滑音技巧；第二首篇幅较长，更像是一首交响诗，管弦乐的谱写富有氛围感，打击乐器的运用也十分惊艳。
《南京！南京！》完成于2000年，描绘了1937年日本侵略者攻入南京这座古城时发生的大屠杀。乐曲开篇气势磅礴、尖锐刺耳，节奏无情，还能听到《春之祭》的回响。琵琶（一种中国短颈拨弦乐器）在其中起到了沉思性的回顾性叙述作用，既让人铭记那段黑暗的历史，也歌颂了幸存者的英雄主义精神。但在乐曲中，音乐再次爆发出强烈的冲突，随后，在一段温暖的弦乐尾声中，既带有挽歌的意味，又充满希望，作曲家在此处迎来了乐曲的结尾。最后，琵琶的一段独白——由张强在此处演绎得极为细腻动人——被管弦乐团短暂而绝望的最后警告所打断。这些无疑都是精彩绝伦的演绎，香港管弦乐团在黄绍辉专注的指挥下表现卓越，录音效果也十分出色。（《企鹅唱片指南》）
“《中国梦》是一部管弦乐组曲，由三个不同的管弦乐委约作品随时间汇编而成，非常抒情，其出色的配器演绎得轻快而灵活。无论是因为香港管弦乐团对这部音乐的共鸣，还是因为作曲家在录音过程中的在场指导，最终的效果都非常出色。”（肯·史密斯，《纽瓦克星报》）
Artist: Juliana Gondek, Zhang Qiang, Hong Kong Philharmonic Orchestra, Samuel Wong
Title: Sheng: China Dreams / Nanking Nanking
Year Of Release: 2003
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:05:44
Total Size: 298 / 610 mb
WebSite: Album Preview
Juliana Gondek, Zhang Qiang, Hong Kong Philharmonic Orchestra, Samuel Wong - Sheng: China Dreams / Nanking Nanking (2003) [Hi-Res]
Tracklist
01. China Dreams: Prelude
02. China Dreams: Fanfare
03. China Dreams: The Stream Flows
04. China Dreams: The Three Gorges of the Long River
05. 2 Poems from the Sung Dynasty: Chai Tou Feng
06. 2 Poems from the Sung Dynasty: Sheng Sheng Man
07. Nanking! Nanking!: Nanking! Nanking! A Threnody for Orchestra and Pipa
Bright Sheng was born in Shanghai, experienced living through the Chinese Cultural revolution as a child and later studied composition at the local Conservatory of Music. In 1982 he moved to New York where he studied further, under Bernstein among others, winning various awards both in his homeland and in the USA. His highly accessible music has an individual voice and a vividly unpredictable orchestral palette. The spectacular China Dreams was composed between folk music. Fanfare, the second of the four movements, a brilliant toccata well laced with percussion, is immediately arresting, and the following evocation of lapping waters. Juliana Gondek joins the orchestra for the Two Poems, early works from 1985, the first short and exotic including some expert vocal glissandi, the second, longer, more a symphonic poem, with atmospheric orchestral writing and startling percussion.
Nanking! Nanking!, completed in 2000 and depicting the massacre when the Japanese swept into that ancient city in 1937, opens powerfully and stridently with remorseless rhythms and echoes of the Rite of Spring. The pipa (a short-necked Chinese lute) provides a ruminative retrospective narration, remembering both the darkness and the heroism of the survivors. But the music again generates considerable violence before, in a warm postlude for the strings, both elegiac and hopeful, the composer celebrates conclusion, with a final soliloquy from the pipa—so sensitively played here by Zhang Qiang—is interrupted by a brief but desperate final warning from the orchestra. These are surely definitely performances, with the Hong Kong Orchestra responding superb to the dedicated direction of Samuel Wong, and the recording is outstanding too. (Penguin Guide)
'China Dreams, an orchestral suite assembled over time from three different orchestral commissions, is very lyrical, its stellar orchestration rendered with buoyancy and flexibility. Whether due to the Hong Kong Philharmonic's affinity for the music or to the composer's presence during the recording process, the results are superb.' (Ken Smith, Newark Star-Ledger)
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发表于 2025-4-7 08:14:54