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艺术家：吉诺·奎利科
作品名称：《爱的夜曲：著名意大利爱情歌曲》
发行年份：2013年
厂牌：阿纳莱克塔集团公司（Groupe Analekta, Inc.）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 88.2千赫兹 + 小册子
总时长：00:45:59
总大小：235兆字节 / 848兆字节
网站：专辑预览
曲目列表
01. 《卡鲁索》
02. 《在小巷里》
03. 《舞曲》
04. 《柔声倾诉》
05. 《永别了，罗马》
06. 《如此伟大的爱》
07. 《桑塔露琪亚》
08. 《重归苏莲托》
09. 《练习曲作品10之3，“悲伤”》
10. 《玛利亚》
11. 《别想着我》
12. 《唐璜》，作品编号K. 527：《到窗边来》
13. 《她》
14. 《我的太阳》
吉诺·奎利科 - 《爱的夜曲：著名意大利爱情歌曲》（2013年）[高解析度音频]
《爱的夜曲》……没有音乐，浪漫的夜晚就不算完整：或许可以是传统的那不勒斯歌曲，又或者是几首歌剧咏叹调，那些美妙的旋律能取悦双耳，带着回忆的交融温暖人心。这张专辑诞生于吉诺·奎利科去年夏天的一系列演出，在这些演出中，他带人们踏上了一段穿越不同时代、作曲家和音乐风格的旅程。虽然最初的概念中包括了法语和英语歌曲，但这位歌手选择抛开它们，回归到自己意大利的根源。小时候，每个周末他坐在从罗马前往奥斯蒂亚的车里，都会和父亲路易斯温暖的男中音以及母亲卡罗琳娜·皮佐隆戈的手风琴声一起，吟唱托斯蒂的咏叹调和传统民谣。
这张专辑洋溢着青春气息，但并不想唤起怀旧之情，也不想成为一件被时间凝固的物品，像一张偶尔拿出来看看的旧明信片。在多米尼克·布利安的编曲下，专辑里的曲目，全都是吉诺精心挑选的，从肖邦到托斯蒂，从罗西尼到达拉，从莫扎特到阿兹纳弗，流畅地串联起来。这些歌曲多年来一直深受喜爱，在未来几十年里也仍会被人们哼唱。人们会发现其中的珍宝，比如托斯蒂500首流行客厅民谣中的两首，还有莫扎特《唐璜》中的一首咏叹调，在这首咏叹调里，这位伟大的诱惑者在阳台下用一把简单的曼陀林迷住了他的心上人。永恒的《我的太阳》《桑塔露琪亚》和《重归苏莲托》也在选曲之中，他记得父亲曾在深夜之后，在威尼斯的贡多拉上唱起这些歌。
罗西尼充满激情的那不勒斯塔兰泰拉舞曲《舞曲》，是《音乐晚会》组曲中的第八首，自1835年诞生以来就吸引了许多作曲家。弗朗茨·李斯特将它改编成了钢琴曲，奥托里诺·雷斯皮基把它融入了自己的芭蕾舞剧《奇幻商店》中，而肖邦也从它那里获得灵感，创作了自己的《塔兰泰拉舞曲》作品43号。这里呈现的编曲旨在展现手风琴演奏家亚历山大·塞瓦斯蒂安非凡的演奏技巧。
《柔声倾诉》是另一首一经推出便大获成功的歌曲，它取自尼诺·罗塔为《教父》创作的电影配乐，但其实早在1958年就已在电影《小幸福》中被使用，因此在1972年无缘奥斯卡最佳配乐提名。不过，两年后他凭借《教父2》中的《温柔地说爱我》获得了这一享有盛誉的奖项。
作家、作曲家、钢琴家和单簧管演奏家卢乔·达拉在1960年首次获得成功。作为电影和电视的作曲家，达拉凭借《卡鲁索》在全球掀起了一股奇妙的热潮，这首歌是对著名男高音的致敬，销量超过了900万张。歌手达利达尤其将他的歌曲《1943年4月3日》以《耶稣圣婴》的法语歌名重新发行。
“意大利歌曲之王”克劳迪奥·维拉也让《永别了，罗马》广为人知，他还推出了单曲《别想着我》，这是一首由埃罗斯·西奥里利和阿尔贝托·泰斯塔合作的二重唱，被认为有望赢得第17届圣雷莫音乐节的大奖。这首歌还有多种语言版本，包括法语（《当你离去时》）、俄语、葡萄牙语以及英语（《时间会证明一切》）版本。
作为圭多·玛丽亚·费里利最受欢迎的歌曲，《如此伟大的爱》最初由马里奥·德尔·莫纳科推广，最近则有卢西亚诺·帕瓦罗蒂（由亨利·曼奇尼进行交响乐编曲）和安德烈·波切利演唱。这首歌最初是在1976年应马里奥·德尔·莫纳科的管弦乐协调员德托·马里亚诺的要求而创作的。
肖邦的《练习曲作品10之3》最初被一位深受其感动的编辑称为“悲伤”，意为哀愁。肖邦自己曾说，他再也不会创作出如此美妙的作品了。虽然它被许多著名作曲家多次改编，比如在探戈《心灵的旋律》中，由蒂诺·罗西用法语演唱、朱塞佩·迪·斯泰法诺用意大利语演唱的版本就是由埃德加多·多纳托改编的，但这首极具歌唱性的旋律始终以一种深沉的忧郁萦绕在听众心头。
而如果没有献给心爱之人的篇章，浪漫的夜晚就不算完整，这就是为什么吉诺·奎利科将夏尔·阿兹纳弗的《她》收录进了专辑中。这首歌在1974年最初名为《她》，是英国电视系列剧《女人的七副面孔》的主题曲。它也被录制了法语版本（《爱情的所有面貌》），还有德语和西班牙语版本。《她》是他妻子萨拉最喜欢的咏叹调之一。
Artist: Gino Quilico
Title: Serata d’Amore: Famous Italian Love Songs
Year Of Release: 2013
Label: Groupe Analekta, Inc.
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 00:45:59
Total Size: 235 / 848 mb
WebSite: Album Preview
Tracklist
01. Caruso
02. A Vucchella
03. La Danza
04. Parla Piu Piano
05. Arrivederci Roma
06. Un Amore Cosi Grande
07. Santa Lucia
08. Torna Sorriento
09. Étude Op. 10, No. 3, "Tristessa"
10. Malia
11. Non Pensare A Me
12. Don Giovanni, K. 527: Deh vieni alla finestra
13. Lei
14. O Sole Mio
Gino Quilico - Serata d’Amore: Famous Italian Love Songs (2013) [Hi-Res]
Serata d’Amore… A romantic evening is not complete without music : traditional Neapolitan songs perhaps, or maybe a few operatic arias, beautiful melodies that tune the ear and warm the heart with an amalgam of souvenirs. This album was born from a series of performances given by Gino Quilico last summer, in which he offered a journey through various eras, composer and genres. While the original concept included of songs in both French and English, the singer chose to detach himself from them and converge back towards his roots in Italy where, as a child every weekend in the car between Rome and Ostia, he would intone arias of Tosti and traditional ballads along with the warm baritone of his father Louis and the accordion of his mother, Carolina Pizzolongo.
The album is infused with youth but doesn’t want to recall nostalgia, or become an object frozen in time, an old postcard looked at from time to time. With the arrangements of Dominic Boulianne, the titles of the album, all picked by Gino with the utmost delicacy, flow from Chopin to Tosti, Rossini to Dalla, and Mozart to Aznavour. They have been loved for years, and will remain to be hummed for decades to come. One will find treasures such as two of Tosti’s 500 popular parlour ballads, and an aria from Mozart’s Don Giovanni in which the great seducer charms his lady from under a balcony with a simple mandolin. The eternal O sole mio, Santa Lucia and Torna a Surriento, all of which he remembers his father singing in a Venetian gondola after a late night, are also part of the selection.
Rossini’s explosive Neapolitan Tarantella, “La Danza”, eighth song of the cycle Les soirées musicales, has seduced many composers ever since its inception in 1835. Franz Liszt transcribed it for the piano, Ottorino Respighi integrated it to his ballet La Boutique Fantasque, and Chopin took inspiration from it for his Tarentella Op. 43. The arrangement proposed here designed to enhance accordionist Alexander Sevastian’s extraordinary virtuosity.
Parla Pui Piano, another song launched with an immediate success, was taken from Nino Rota’s soundtrack for The Godfather, but had already been used in Fortunella in 1958, therefore precluding it from an Oscar nomination for best soundtrack in 1972. The prestigious prize was however given to him for Speak Softly Love two years later for The Godfather II.
The author, composer, pianist and clarinetist Lucio Dalla first became successful in 1960. Equally a composer for cinema and television, Dalla caused a fantastic worldwide tidal wave with Caruso, an homage to the famous tenor, sold at over nine million copies. Singer Dalida will notably reissue his song 4/3/1943 in French under the title Jésus bambino.
“Il Reuccio della canzone italiana”, the king of the Italian song, Claudio Villa, who also popularized Arrivederci Roma, produced a single of Non Pensare en me, a duet collaboration of Eros Sciorilli and Alberto Testa that was deemed to win the grand prize of the 17th Festival of Sanremo. The song additionally exists in various languages, including a French (Quand tu t’en iras), Russian, Portuguese, as well as English (Time Alone Will Tell) versions.
As Guido Maria Ferilli’s most popular song, Un Amore Così Grande was first popularized by Mario del Monaco, and more recently by Luciano Pavarotti (in a symphonic arrangement by Henry Mancini) et Andrea Bocelli. It was originally written in 1976 as a request from Detto Mariano, the orchestration coordinator for Mario del Monaco.
The Etude Op. 10 No. 3 by Chopin was first referred to as “Tristesse”, meaning sadness, by an editor profoundly touched by the piece. Chopin himself used to state that never again would he compose something as beautiful, and whilst it has been adapted numerous times by famous composers such as Edgardo Donato in the tango La Melodia del Corazón sung by Tino Rossi in French and Giuseppe di Stefano in Italian for instance, this extremely vocal melody persists in haunting listeners with a profound melancholy.
And a romantic night would not be complete without a page dedicated to a beloved one, which is why Gino Quilico integrated in the album Charles Aznavour’s Lei, which was first entitled She in 1974 as the theme of the British televison series Seven Faces of Woman. It was also recorded in French (Tous les visages de l’amour), as well as German and Spanish. Lei is amongst his wife Sara’s favourite arias.
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发表于 2025-5-10 07:54:30