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艺术家：约翰内斯·弗莱施曼，玛格达·阿马拉
标题：出埃及记：塑造好莱坞的男人们
发行年份：2021年
厂牌：奥德拉德克唱片公司
流派：古典
音质：无损弗拉科格式/24位-96.0千赫兹弗拉科格式
总时长：01:16:18
总大小：346兆字节/1.42吉字节
网站：专辑预览
曲目列表
01. 四首小欢乐圆舞曲：第二首 玛吉特
02. D大调小提琴与钢琴奏鸣曲，作品6：第一乐章 适度的柔板，但充满激情
03. D大调小提琴与钢琴奏鸣曲，作品6：第二乐章 谐谑曲 很快的快板（火热地）—三声中部—适度的如歌的行板—很快的快板（火热地）
04. D大调小提琴与钢琴奏鸣曲，作品6：第三乐章 柔板 带着深切的情感
05. D大调小提琴与钢琴奏鸣曲，作品6：第四乐章 终曲 小快板似行板（优雅地）
06. “布兰代斯”小提琴与钢琴奏鸣曲：第一乐章 庄板—小快板
07. “布兰代斯”小提琴与钢琴奏鸣曲：第二乐章 宗教行板（希伯来风格）
08. “布兰代斯”小提琴与钢琴奏鸣曲：第三乐章 回旋曲—快板
09. 六首简易歌曲，作品9：第一首 雪花莲
“维也纳小提琴家”约翰内斯·弗莱施曼对埃里希·科恩戈尔德与埃里克·蔡斯尔的音乐进行了深情且极具洞察力的演绎，这两位维也纳作曲家在二战前夕为逃避纳粹崛起而赴美。抵达后，两人均将才华投向好莱坞，成为好莱坞电影配乐黄金时代的标志性声音。2020年是埃里克·蔡斯尔《“布兰代斯”奏鸣曲》首演70周年，该作与科恩戈尔德的小提琴奏鸣曲一同收录于此。本专辑中，约翰内斯·弗莱施曼与钢琴家玛格达·阿马拉合作，科恩戈尔德的歌曲《雪花莲》则由男中音京特·豪默参与演唱。
这张专辑背后有一段独特而迷人的故事，使其尤为特别。2014年，约翰内斯·弗莱施曼在洛杉矶演奏科恩戈尔德的小提琴奏鸣曲，芭芭拉·蔡斯尔·舍恩伯格在场。随后他受邀访问舍恩伯格之家，其间芭芭拉向他讲述了父亲埃里克·蔡斯尔及其《“布兰代斯”奏鸣曲》——这部作品记录了他从奥地利的逃亡经历。作品中不仅表达了痛苦与磨难，更蕴含着对生命的无限渴望，以及对未来的欢欣希望。约翰内斯·弗莱施曼深感与这部奏鸣曲及科恩戈尔德的作品存在深刻共鸣，基于与芭芭拉·蔡斯尔·舍恩伯格的相遇，他决定必须将这些作品收录于同一张唱片：两部相隔两次世界大战的作品，由两位仅在流亡他乡时才得以建立友谊的维也纳作曲家所写。
科恩戈尔德与蔡斯尔的奏鸣曲由两首科恩戈尔德的早期作品串联：14岁时创作的《四首欢乐圆舞曲》中的《玛吉特》，以及作品9《六首简易歌曲》中的《雪花莲》——作曲家以此为基础创作了小提琴奏鸣曲终曲的变奏曲。专辑还附有一本内容详实的小册子，包括芭芭拉·蔡斯尔·舍恩伯格撰写的文章，阐释其父《“布兰代斯”奏鸣曲》的创作渊源，以及蔡斯尔传记作者卡琳·瓦格纳的深度解析。
Artist: Johannes Fleischmann, Magda Amara
Title: EXODUS: The Men Who Shaped Hollywood
Year Of Release: 2021
Label: Odradek Records
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:16:18
Total Size: 346 mb / 1.42 gb
WebSite: Album Preview
Tracklist
01. Vier kleine fröhliche Walzer: II. Margit
02. Sonata for Violin and Piano in D major, Op. 6: I. Ben moderato, ma con passione
03. Sonata for Violin and Piano in D major, Op. 6: II. Scherzo. Allegro molto (con fuoco) ‒ Trio ‒ Moderato cantabile ‒ Allegro molto (con fuoco)
04. Sonata for Violin and Piano in D major, Op. 6: III. Adagio. Mit tiefer Empfindung
05. Sonata for Violin and Piano in D major, Op. 6: IV. Finale. Allegretto quasi andante (con grazia)
06. Sonata for Violin and Piano 'Brandeis': I. Grave ‒ Allegretto
07. Sonata for Violin and Piano 'Brandeis': II. Andante religioso (hebraique)
08. Sonata for Violin and Piano 'Brandeis': III. Rondo ‒ Allegro
09. 6 Einfache Lieder, Op. 9: I. Schneeglöckchen
The 'Viennese Violinist' Johannes Fleischmann gives heartfelt and deeply insightful interpretations of the music of Erich Korngold and Eric Zeisl, Viennese composers who escaped the rise of Nazism by journeying to America shortly before the Second World War. Once there, both composers adapted their talents to the world of Hollywood, becoming defining voices in the golden age of Hollywood movie scores. 2020 marks the 70th anniversary of the premiere of the 'Brandeis' Sonata by Eric Zeisl, heard on this release alongside Korngold's Violin Sonata. Johannes Flesichmann is joined on this album by pianist Magda Amara and, for Korngold's song 'Schneeglckchen', by baritone Gnter Haumer.
There is a unique and fascinating story behind this release that makes it particularly special. In 2014, Johannes Fleischmann performed Korngold's Violin Sonata in Los Angeles, in the presence of Barbara Zeisl Schoenberg. He was then invited to visit the Schoenberg House, on which occasion Barbara spoke to Johannes of her father, Eric Zeisl, and his 'Brandeis' Sonata, which processes his flight from Austria. Not only are pain and suffering given expression, but also an unbridled lust for life, coupled with jubilant hope in the future. Johannes Fleischmann feels a profound kinship both with this Sonata and with Korngold's, and, on the strength of his encounter with Barbara Zeisl Schoenberg, decided that it was essential to combine these pieces on record: two works separated by two World Wars, written by Viennese composers who were only able to establish their friendship while in exile from their homeland.
The Korngold and Zeisl Sonatas are framed by two early Korngold works: "Margit" from the 'Vier frhliche Walzer', composed when Korngold was only 14, and 'Schneeglckchen', from his '6 Einfache Lieder', Op. 9, on which the composer based the variations of his Violin Sonata's finale. The release also boasts an expansive booklet, including insightful essays by Barbara Zeisl Schoenberg explaining the origins of her father's 'Brandeis' Sonata, and by Zeisl biographer Karin Wagner.
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